“At the end of that time, having had the misfortune to overlook a rat which had made its nest in a pair of the Duke of Cumberland’s state breeches, I was dismissed without a character. Again I applied to my friend, and was recommended by him, for my scientific attainments, to a French nobleman, who was troubled by the croaking of frogs in his ponds, and employed me to whip the water all night with a long wand of willow that his rest might be undisturbed. But the constant immersion rotting my stumps, and he refusing to supply me with others, I was obliged to resign my post, and returned to England. “In the meantime, my friend had died of a humour, and I was stranded entirely without resources. For some time I earned a precarious livelihood, in my naturalist character, by worming dogs; and again, one still more precarious, by cleansing ladies’ _toupées_ of the vermin which long usage engendered in them. It was here, while serving my master, a wig-maker, that chance brought me acquainted with my present manner of service. “During all this time, I will say, I had never ceased to regard soul as external to form, or to scout that introspection which is the real unhappiness. What did it concern me, if I was destroying rats, or picking fleas out of a poodle? In any case, I was helping Nature to its freer manifestations on matter, and, in my constant communion with it, prepared to welcome such rare accidents of genius as might come my way. My master’s business brought him into frequent relations with the theatre; and it was thus that I first encountered de Crespigny, who was at the time acting scene-painter to the new house at Sadler’s Wells. I had no sooner had the chance to see his work than I recognised genius, glaring and manifest. He did wonders in a few touches, that he might idle for an hour. My opportunity was come, and I entreated him to employ me, in however menial a capacity. He was touched by my enthusiasm; flattered, perhaps, by my admiration; persuaded by my strength. He engaged me, first as his assistant; soon as his nurse and mentor. For years I have helped to direct his career, have goaded his inspirations, cossetted his weaknesses. Ah, child! He is _my_ child, made glorious by my faith in him. Do not seduce me from my allegiance to my child, and for the first time make me out of love with Nature!” He ended with a groan, and flung himself prostrate on the floor, beating, I think, his forehead against it. “Poor Gogo!” I said. “You have confessed; and so will I now. He is my child too. I adore him, and am so ravished by his art that I could not rest with thinking what he had made of the portrait. Do you know, Gogo? I will tell you the truth. I was hunting for the key of the press when you came in and caught me.” He lay, without answering. “Won’t you lend it me, Gogo?” I coaxed softly. “Thank God,” he muttered, raising his head, “I am tied from the temptress. It is not in my power, thou Circe. He always carries it with him.”