With another laugh, she stepped from behind the trunk of one of the
largest trees, within a few feet of where he stood. As she went toward
him, she carried in her outstretched hands a graceful basket, woven of
sycamore leaves and ferns, and filled with the ripest sweetest
blackberries. She did not speak as she held out her offering; but the man,
looking into her laughing eyes, fancied that there was a meaning and a
purpose in the gift that did not appear upon the surface of her simple
action.
Expressing his pleasure, as he received the dainty basket, he could not
refrain from adding, "But why do you bring me things?"
She answered with that wayward, mocking humor that so often seized her;
"Because I like to. I told you that I always do what I like--up here in
the mountains."
"I hope you always will," he returned, "if your likes are all as delicious
as this one."
With the manner of a child playfully making a mystery yet anxious to have
the secret discussed, she said, "I have one more gift to bring you, yet."
"I knew you meant something by your presents," he cried. "It isn't just
because you want me to have the things you bring."
"Oh, yes it is," she retorted, laughing mischievously at his triumphant
and expectant tone. "If I didn't want you to have the things I
bring--why--I wouldn't bring them, would I?"
"But that isn't all," he insisted. "Tell me--why do you say you have one
_more_ gift to bring?"
She shook her head with a delightful air of mystery "Not until I come
again. When I come again, I will tell you."
"And you will come to-morrow?"
She laughed teasingly at his eagerness. "How can I tell?" she answered. "I
do not know, myself, what I will do to-morrow--when I am up here in the
mountains--when the canyon gates are shut and the world is left outside."
Even as she spoke, her mood changed and the last words were uttered
wistfully, as a captive spirit--that, by nature wild and free, was
permitted, for a brief time only, to go beyond its prison walls--might
have spoken.
The artist--puzzled by her flash-like change of moods, and by her manner
as she spoke of the world beyond the canyon gates--had no words to reply.
As he stood there,--in that little glade where the light fell as in a
quiet cathedral and the air trembled with the deep organ-tones of the
distant waters--holding in his hands the basket of leaves and ferns with
its wild fruit, and looking at the beautiful girl who had brought her
offering with the naturalness of a child of the mountains and the air of a
woodland spirit,--he again felt that the world he had always known was
very far away.
The girl, too, was silent--as though, by some subtle power, she knew his
thoughts and did not wish to interrupt.
Public-domain text, read in full here on John Shaqi.
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