All the way to the place where he had first seen her, he followed; but at
the cedar thicket he stopped. For a long time, he stood there; while the
twilight failed and the night came. Slowly,--in the soft darkness with
bowed head, as one humbled and ashamed,--he went back down the canyon to
the little glade, and to the camp.
Chapter XIX
The Three Gifts and Their Meanings
The next day, Aaron King--too distracted to paint--idled all the afternoon
in the glade. But the girl did not come. When it was dark, he returned to
camp; telling himself that she would never come again; that his rude
yielding to the lure of her wild beauty had rightly broken forever the
charm of their intimacy--and he cursed himself--as many a man has
cursed--for that momentary lack of self-control.
But the following afternoon, as the artist worked,--bent upon quickly
finishing his picture of the place that seemed now to reproach him with
its sweet atmosphere of sacred purity,--he heard, as he had heard that
first day, the low music of her voice blending with the music of the
mountain stream. Scarce daring to move, he sat as though absorbed in his
work--listening with all his heart, for some sound of her approach, other
than the melody of her song that grew more and more distinct. At last, he
knew that she was standing just the other side of the willows, beyond the
little spring. He felt her hidden eyes upon him, but dared not look that
way--feeling sure that if he betrayed himself in too eager haste she would
vanish. Bending forward toward his canvas, he made show of giving close
attention to his work and waited.
For some minutes, she remained concealed; singing low, as though to try
him with temptation. Then, all at once,--as the painter, with poised
brush, glanced from his canvas to the scene,--she stood in full view
beside the spring; her graceful, brown-clad figure framed by the willow's
green. Her arms were filled with wild flowers that she had gathered from
the mountainside--from nook and glade and glen.
"If you will not seek me, there is no use to hide," she called, still
holding her place on the other side of the spring, and regarding him
seriously; and the man felt under her words, and saw in her wide, blue
eyes a troubled question.
"I sought you all the way to your home," he said, gently, "but you would
not let me come near."
"I was frightened," she returned, not lowering her eyes but regarding him
steadily with that questioning appeal.
"I am sorry,"--he said,--"won't you forgive me? I will never frighten you
so again. I did not mean to do it."
"Why," she answered, "I have to forgive myself as well as you. You see, I
frightened myself quite as much as you frightened me. I can't feel that
you were really to blame--any more than I. I have tried, but I can't--so I
came back. Only, I--I must never dance for you again, must I?"
The man could not answer.
Public-domain text, read in full here on John Shaqi.
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