Aaron King and Conrad Lagrange were idling in their camp, after breakfast the next morning, when Czar turned his head, quickly, in a listening attitude. With a low growl that signified disapproval, he moved forward a step or two and stood stiffly erect, gazing toward the lower end of the orchard. "Some one coming, Czar?" asked the artist. The dog answered with another growl, while the hair on his neck bristled in anger. "Some one we don't like, heh!" commented the novelist. "Or"--he added as if musing upon the animal's instinct--"some one we ought not to like." A bark from Czar greeted James Rutlidge who at that moment appeared at the foot of the slope leading up to their camp. The two men--remembering the occasion of their visitor's last call at their home in Fairlands, when he had seen Sibyl in the studio--received the man with courtesy, but with little warmth. Czar continued to manifest his sentiments until rebuked by his master. The coolness of the reception, however, in no way disconcerted James Rutlidge; who, on his part, rather overdid his assumption of pleasure at meeting them again. Explaining that he had come with a party of friends on a hunting trip, he told them how he had met Brian Oakley, and so had learned of their camp hidden behind the old orchard. The rest of his party, he said, had gone on up the canyon. They would stop at Burnt Pine on Laurel Creek, where he could easily join them before night. He could not think, he declared, of passing so near without greeting his friends. "You two certainly are expert when it comes to finding snug, out-of-the-way quarters," he commented, searching the camp and the immediate surroundings with a careful and, ostensibly, an appreciative eye. "A thousand people might pass this old, deserted place without ever dreaming that you were so ideally hidden back here." As he finished speaking, his roving eye came to rest upon a pair of gloves that Sibyl--the last time she had called--had carelessly left lying upon a stump close by a giant sycamore where, in camp fashion, the rods and creels and guns were kept. The artist had intended to return the gloves the day before, together with a book of trout-flies which the girl had also forgotten; but, in his eagerness for the day's outing, he had gone off without them. The observing Conrad Lagrange did not fail to note that James Rutlidge had seen the telltale gloves. Fixing his peculiar eyes upon the visitor, he asked abruptly, with polite but purposeful interest, after the health of Mr. and Mrs. Taine and Louise. The faint shadow of a suggestive smile that crossed the heavy features of James Rutlidge, as he turned his gaze from the gloves to meet the look of the novelist was maddening.