When the traces of their days upon the road had been removed, and they
were garbed again in the conventional costume of the world; when their
outfit had been put away, and a home found for patient Croesus; the artist
went to his studio. The afternoon passed and Yee Kee called dinner; but
Aaron King did not come. Then Conrad Lagrange went to find him. Softly,
the older man pushed open the studio door to see the painter sitting
before the portrait of Mrs. Taine, with the package of his mother's
letters in his hand.
Without a sound, the novelist withdrew, leaving the door ajar. Going to
the corner of the house, he whistled low, and in answer, Czar come
bounding to him from the porch. "Go find Aaron, Czar," said the man,
pointing toward the studio. "Go find Aaron."
Obediently, with waving tail, the dog trotted off, and pushing open the
door entered the room; followed a few moments later by his master.
Conrad Lagrange smiled as he saw that the easel was without a canvas. The
portrait of Mrs. Taine was turned to the wall.
Chapter XXIV
James Rutlidge Makes a Mistake
When Aaron King and Conrad Lagrange had said, "good-by," to their friends,
at Sibyl Andrés' home, that evening; and had returned to spend their last
night at the camp in the sycamores; the girl's mood was again the mood of
one oppressed by a haunting, foreboding fear.
Sibyl could not have expressed, or even to herself defined, her fear. She
only knew that in the presence of James Rutlidge she was frightened. She
had tried many times to overcome her strange antipathy; for Rutlidge,
until that day in the studio, had never been other than kind and courteous
in his persistent efforts to win her friendship. Perhaps it was the
impression left by the memory of Myra Willard's manner at the time of
their first meeting with him, three years before, in Brian Oakley's home;
perhaps it was because the woman with the disfigured face had so often
warned her against permitting her slight acquaintance with Rutlidge to
develop; perhaps it was something else--some instinct, possible, only, to
one of her pure, unspoiled nature--whatever it was, the mountain girl who
was so naturally unafraid, feared this man who, in his own world, was an
acknowledged authority upon matters of the highest spiritual and moral
significance.
That night, she slept but little. With the morning, every nerve demanded
action, action. She felt as though if she could not spend herself in
physical exertion she would go mad. Taking her lunch, and telling her
companion that she was going for a good, full day with the trout; she was
starting off, when the woman called her back.
"You have forgotten Mr. Oakley's warning, dear. You are not to go unarmed,
you know."
Public-domain text, read in full here on John Shaqi.
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