The woman received his words as a veiled declaration of a passion he dared
not, yet, openly express. She thought his request a clever ruse to renew
their meetings in the privacy of his studio, and was, accordingly
delighted.
"Oh, that will be wonderful!--heavenly!" she cried, springing to her feet.
"Can we begin at once? May I come to-morrow?"
"Yes," he answered, "come to-morrow."
"And may I wear the Quaker gown?"
"Yes, indeed! I want you just as you were before--the same dress, the same
pose. It is to be the same picture, you understand, only a better one--one
more worthy of us, both. And now," he continued hurriedly "don't you
think that we should return to the house?"
"I suppose so," she answered regretfully--lingering.
The artist was already opening the door.
As they passed out, she placed her hand on his arm, and looked up into his
face admiringly. "What a clever, clever man you are, to think of it! And
what a story it will make for the papers--when my picture is shown--how
you were not satisfied with the portrait and refused to let it go--and
how, after keeping it in your studio for months, you repainted it, to
satisfy your artistic conscience!"
Aaron King smiled.
The announcement in the house that the artist was to repaint Mrs. Taine's
picture, provoked characteristic comment. Louise effervesced a frothy
stream of bubbling exclamations. James Rutlidge gave a hearty, "By Jove,
old man, you have nerve! If you can really improve on that canvas, you are
a wonder." And Mr. Taine, under the watchful eye of his beautiful wife,
responded with a husky whisper, "Quite right--my boy--quite right!
Certainly--by all means--if you feel that way about it--" his consent and
approval ending in a paroxysm of coughing that left him weak and
breathless, and nearly eliminated him from the question, altogether.
When the Fairlands Heights party had departed, Conrad Lagrange looked the
artist up and down.
"Well,"--he growled harshly, in his most brutal tones,--"what is it? Is
the dog returning to his vomit?--or is the prodigal turning his back on
his hogs and his husks?"
Aaron King smiled as he answered, "I think, rather, it's the case of the
blind beggar who sat by the roadside, helpless, until a certain Great
Physician passed that way."
And Conrad Lagrange understood.
Chapter XXVIII
You're Ruined, My Boy
Public-domain text, read in full here on John Shaqi.
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