"Yes," said the artist, "I must admit that I have looked at it
frequently." He did not explain why he looked at her portrait while he was
working upon the larger picture.
"How nice of you," she answered "Please let me see it now. I remember when
you wanted to repaint it, you said you would put on the canvas just what
you thought of me; have you? I wonder!"
"I would rather that you judge for yourself, Mrs. Taine," he answered, and
drew the curtain that hid the painting.
As the woman looked upon that portrait of herself, into which Aaron King
had painted, with all the skill at his command, everything that he had
seen in her face as she posed for him, she stood a moment as though
stunned. Then, with a gesture of horror and shame, she shrank back, as
though the painted thing accused her of being what, indeed, she really
was.
Turning to the artist, imploringly, she whispered, "Is it--is it--true? Am
I--am I _that_?"
Aaron King, remembering how she had sent the girl he loved so nearly to a
shameful end, and thinking of those bones at the foot of the cliff,
answered justly; "At least, madam, there is more truth in that picture
than in the things you said to Miss Andrés, here in this room, the day you
left Fairlands."
Her face went white with quick rage, but, controling herself, she said,
"And where is the picture of your _mistress_? I should like to see it
again, please."
"Gladly, madam," returned the artist. "Because you are a woman, it is the
only answer I can make to your charge; which, permit me to say, is as
false as that portrait of you is true."
Quickly he pushed another easel to a position beside the one that held
Mrs. Taine's portrait, and drew the curtain.
The effect, for a moment, silenced even Mrs. Taine--but only for a moment.
A character that is the product of certain years of schooling in the
thought and spirit of the class in which Mrs. Taine belonged, is not
transformed by a single exhibition of painted truth. From the two
portraits, the woman turned to the larger canvas. Then she faced the
artist.
"You fool!" she said with bitter rage. "O you fool! Do you think that you
will ever be permitted to exhibit such trash as this?" she waved her hand
to include the three paintings. "Do you think that I am going to drag
you up the ladder of social position to fame and to wealth for such
reward as that?" she singled out her own portrait. "Bah! you are
impossible--impossible! I have been mad to think that I could make
anything out of you. As for your idiotic claim that you have painted the
truth--" She seized a large palette knife that lay with the artist's tools
upon the table, and springing to her portrait, hacked and mutilated the
canvas. The artist stood motionless making no effort to stop her. When the
picture was utterly defaced she threw it at his feet. "_That_, for your
truth, Mr. King!" With a quick motion, she turned toward the other
portrait.
Public-domain text, read in full here on John Shaqi.
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