Between the big, north window and the window that opened into the garden,
she saw the artist. She saw, too, the big canvas upon the easel. But Aaron
King was not, now, looking at his work just finished. He was sitting
before that other picture into which he had unconsciously painted, not
only the truth that he saw in the winsome loveliness of the girl who posed
for him with outstretshed hands among the roses, but his love for her as
well.
With a low laugh, Sibyl drew back. Swiftly, as she had reached the arbor,
she crossed the garden, and a moment later, paused at the studio door.
Again she hesitated--then, gently,--so gently that the artist, lost in his
dreams, did not hear,--she opened the door. For a little, she stood
watching him. Softly, she took a few steps toward him. The artist, as
though sensing her presence, started and looked around.
She was standing as she stood in the picture; her hands outstretched, a
smile of welcome on her lips, the light of gladness in her eyes.
As he rose from his chair before the easel, she went to him.
* * * * *
Not many days later, there was a quiet wedding, at Sibyl's old home in the
hills. Besides the two young people and the clergyman, only Brian Oakley,
Mrs. Oakley, Conrad Lagrange and Myra Willard were present. These friends
who had prepared the old place for the mating ones, after a simple dinner
following the ceremony, returned down the canyon to the Station.
Standing arm in arm, where the old road turns around the cedar thicket,
and where the artist had first seen the girl, Sibyl and Aaron watched them
go. From the other side of roaring Clear Creek, they turned to wave hats
and handkerchiefs; the two in the shadow of the cedars answered; Czar
barked joyful congratulations; and the wagon disappeared in the wilderness
growth.
Instead of turning back to the house behind them, the two, without
speaking, as though obeying a common impulse, set out down the canyon.
A little later they stood in the old spring glade, where the alders bore,
still, in the smooth, gray bark of their trunks, the memories of long-ago
lovers; where the light fell, slanting softly through the screen of leaf
and branch and vine and virgin's-bower, upon the granite boulder and the
cress-mottled waters of the spring, as through the window traceries of a
vast and quiet cathedral; and where the distant roar of the mountain
stream trembled in the air like the deep tones of some great organ.
Sibyl, dressed in her brown, mountain costume, was sitting on the boulder,
when the artist said softly, "Look!"
Public-domain text, read in full here on John Shaqi.
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