That evening, the two men talked over their proposed trip, and laid their
plans to start without delay As Conrad Lagrange put it--they would lose
themselves in the hills; with no definite destination in view; and no set
date for their return. Also, he stipulated that they should travel
light--with only a pack burro to carry their supplies--and that they
should avoid the haunts of the summer resorters, and keep to the more
unfrequented trails. The novelist's acquaintance with the country into
which they would go, and his experience in woodcraft--gained upon many
like expeditions in the lonely wilds he loved--would make a guide
unnecessary. It would be a new experience for Aaron King; and, as the
novelist talked, he found himself eager as a schoolboy for the trip; while
the distant mountains, themselves, seemed to call him--inviting him to
learn the secret of their calm strength and the spirit of their lofty
peace. The following day, they would spend in town; purchasing an outfit
of the necessary equipment and supplies, securing a burro, and attending
to numerous odds and ends of business preparatory to their indefinite
absence.
It so happened, the next day, that Yee Kee,--who was to care for the place
during their weeks of absence had matters of importance to himself, that
demanded his attention in town. When his masters informed him that they
would not be home for lunch, he took advantage of the opportunity and
asked for the day.
Thus it came about that Conrad Lagrange--in the spirit of a boy bent upon
some secret adventure--stole out into the rose garden, that morning, to
leave the promised letter and key at the little gate in the corner of the
Ragged Robin hedge.
Chapter XIII
Myra Willard's Challenge
Since her meeting with Conrad Lagrange in the rose garden, Sibyl Andrés
had looked, every day, for that promised letter. She found it early in the
afternoon. It was a quaint letter--written in the spirit of their
meeting--telling her the probable time of her neighbor's return; warning
her, in fear of some fanciful horror, to beware of the picture on the
easel; and wishing her joy of the adventure. With the note, was a key.
A few minutes later, the girl unlocked the door of the studio, and entered
the building that had once been so familiar to her, but was now, in its
interior, so transformed. Slowly, she pushed the door to, behind her. As
though half frightened at her own daring, she stood quite still, looking
about. In the atmosphere of that somewhat richly furnished apartment;
poised timidly as if for ready flight; she seemed, indeed, the spirit that
the novelist--in playful fancy--insisted that she was. Her cheeks were
glowing with color; her eyes were bright with the excitement of her
innocent adventure, and with her genuine admiration and appreciation of
the beautiful room.
Public-domain text, read in full here on John Shaqi.
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