The favourite haunt in which she loved to spend her leisure hours was
a beautiful dell, distant about half-a-mile from the village. It was
a place so lonely, so lovely, so undisturbed, that there--(but then
all these fine old rural deities, those idols shrined for ages in
Nature's own hallowed pantheon, have been expelled their temples, or
broken by science--why should this be?)--there, if anywhere, the
Genius of Solitude might be supposed to have fixed his abode. It was
a broken piece of ground, intersected by several irregular banks,
here projecting in hoar and sterile grandeur (not on an Alpine scale,
however), and there, clothed with tufts of the feathery willow or old
gnarled thorn. The earth was carpeted with its usual covering of
emerald turf; and interwoven with it, in beautiful irregularity, were
numerous wild flowers: the arum, with its speckled leaves and lilac
blossoms; the hyacinth, whose enameled blue looks so charmingly in
the light of the setting sun; and oxlips, cowslips, and the
like--throwing up their variegated tufts, like nosegays presented by
nature for some gentle creature, like May Darling, to gather up and
lay upon her bosom. The air, of course, was permanently impregnated
with the perfume which they breathed out--the everlasting incense of
the flowers rising from the altars of Nature to her God. Such was
the sanctuary in which May gleaned from books the golden thoughts of
others, or held communion with her own; and well was it adapted for
nursing a romantic taste, and giving a tenderer tone to every tender
feeling.
The personal attractions of this sweet and lovely creature increased
with her years, and she became the reigning belle of Grassyvale and
all the country round. It followed, as a matter of course, that her
admirers outnumbered her years; and that the possession of her
affections was, with many a rustic Adonis, a subject which troubled
the little kingdom of the soul, like the Babylonish garment. At
every village fete--a wedding, a harvest home, or other rural
festival--hers was the step most buoyant in the dance, hers the hand
most frequently solicited, hers the form and face that riveted all
eyes, and thrilled the heart of the ardent admirer "too much
adoring." Amongst the other accomplishments of our heroine, skill in
music was not the least prominent. Not that she excelled in those
intricate graces which are often had recourse to by vocalists to
conceal a bad voice, and atone for want of feeling and expression;
but her "wood-note wild" was eminently characterised by the latter
qualities of singing; and the effect which she produced was,
accordingly, calculated to be lasting.
Public-domain text, read in full here on John Shaqi.
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