most active agent in rescuing his hapless audience from their
perilous situation. He was a tall, handsome young man, of a very
prepossessing exterior, and appeared to great advantage in his showy
stage habiliments. The general rush was towards the door, the most
likely avenue of escape which presented itself to the astonished
rustics; but a few, amongst whom was our heroine, with more collected
judgment and presence of mind, found a place of security on the
stage. May was slightly bruised in her endeavours to shelter her
young charge; and, although not much injured, her forlorn yet
interesting appearance drew the attention of the histrionic
Samaritan, and he kindly conducted her into the back settlements of
the theatre. The affair was not of such a serious nature as might
have been anticipated. A few dilapidated seats, and a score or two
of trifling contusions, made up the sum total of the damage. A hat
or two might have changed owners in the confusion; but these are
things beneath the dignity of a tragedian to look after; and as soon
as matters were adjusted on the grand theatre of commotion, he
returned to the object of his first solicitude. She was seated on a
stool, in what was dignified with the sounding appellation of a
green-room--looking paler, and lovelier, and more loveable than ever.
He quieted her apprehensions with respect to the catastrophe; for he
was an adept in the art of imitation, and politely requested the
honour of conducting her to her place of residence. It is not
difficult to conceive what was the first impression which the request
made upon the mind of May Darling; but the scruples of modest virgin
innocence yielded at last to the importunities of the actor, and they
left the scene of mirth and confusion together.
Public-domain text, read in full here on John Shaqi.
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