The Fable of the Bees; Or, Private Vices, Public BenefitsMandeville, Bernard
Philosophy
The Fable of the Bees; Or, Private Vices, Public Benefits
Mandeville, Bernard
Charity-schools -- Early works to 1800; Ethics -- Early works to 1800; Virtue -- Early works to 1800
Cleo. I am ready, and shall begin with his dwelling: Though he has
several noble seats in different countries, yet I shall only take
notice of his chief mansion-house that bears the name, and does the
honours of the family: this is amply magnificent, and yet, commodious
to admiration. His gardens are very extensive, and contain an infinite
variety of pleasing objects: they are divided into many branches
for divers purposes, and every where filled with improvements of
art upon nature; yet a beautiful order and happy contrivance are
conspicuous through every part; and though nothing is omitted to
render them stately and delightful; the whole is laid out to the
best advantage. Within doors, every thing bespeaks the grandeur and
judgment of the master; and as no cost is spared any where to procure
beauty or conveniency, so you see none impertinently lavished. All his
plate and furniture are completely fine, and you see nothing but what
is fashionable. He has no pictures but of the most eminent hands: the
rarities he shows are really such; he hoards up no trifles, nor offers
any thing to your sight that is shocking: but the several collections
he has of this sort, are agreeable as well as extraordinary, and rather
valuable than large: but curiosities and wealth are not confined to his
cabinet; the marble and sculpture that are displayed up and down are a
treasure themselves; and there is abundance of admirable gilding and
excellent carving to be seen in many places. What has been laid out
on the great hall, and one gallery, would be a considerable estate;
and there is a salloon and a stair-case not inferior to either;
these are all very spacious and lofty; the architecture of them is
of the best taste, and the decorations surprising. Throughout the
whole there appears a delicate mixture and astonishing variety of
lively embellishments, the splendour of which, joined to a perfect
cleanliness, no where neglected, are highly entertaining to the
most careless and least observing eye; whilst the exactness of the
workmanship bestowed on every part of the meanest utensil, gives a
more solid satisfaction, and is ravishing to the curious. But the
greatest excellency in this model of perfection is this; that as in
the most ordinary rooms there is nothing wanting for their purpose,
and the least passage is handsomely finished; so in those of the
greatest eclat there is nothing overcharged, nor any part of them
encumbered with ornaments.
Hor. This is a studied piece; but I do not like it the worse for it,
pray go on.
Public-domain text, read in full here on John Shaqi.
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