Princeps, the Flute-player, was pretty well known, being accustomed to accompany Bathyllus[5] with his music on the stage. It chanced that, at a representation, I don’t well remember what it was, while the flying-machine[6] was being whirled along, he fell heavily, through inadvertence, and broke his left leg, when he would much rather have parted with two right ones.[7] He was picked up and carried to his house groaning aloud. Some months pass by before his cure is completed. As is the way with the spectators, for {they are} a merry race, the man began to be missed, by whose blasts the vigour of the dancer was wont to be kept at full stretch. A certain Nobleman was about to exhibit a show, just when Princeps was beginning to walk abroad. With a present {and} entreaties he prevailed upon him merely to present himself on the day of the show. When the day came a rumour about the Flute-player ran through the theatre. Some affirmed that he was dead, some that he would appear before them without delay. The curtain falling,[8] the thunders rolled,[9] and the Gods conversed in the usual form. At this moment the Chorus struck up a song unknown to him who had so recently returned; of which the burthen was this: “Rejoice, Rome, in security, for your prince [{Princeps}] is well.” All rise with one consent and applaud. The Flute-player kisses hands, {and} imagines that his friends are congratulating him. The Equestrian order perceive the ridiculous mistake, and with loud laughter encore the song. It is repeated. My man {now} throws himself {sprawling} at full length upon the stage.[10] Ridiculing him, the Knights applaud; while the people fancy he is {only} asking for a chaplet. When, however, the reality came to be known throughout all the tiers, Princeps, his leg bound up with a snow-white fillet, clad in snow-white tunic, {and} snow-white shoes,[11] while pluming himself on the honors really paid to the Deified House,[12] was thrust out headlong by common consent. [Footnote V.5: _Accompany Bathyllus_)--Ver. 5. He alludes to Bathyllus, the favourite and freedman of Mecænas, and who brought to perfection pantomimic dancing at Rome.] [Footnote V.6: _Flying-machine_)--Ver. 7. The “pegma” was a piece of machinery used on the stage for the purpose of aiding the ascents and descents of the Gods there represented.] [Footnote V.7: _Losing two right ones_)--Ver. 9. The Poet puns on the twofold meanings of the word “tibia,” which signifies the main bone of the leg, and a pipe or flute. These pipes were right-handed or left-handed, probably varying in tone, two being played at a time. Explained at length, the pun means, “Princeps broke his left leg, when he could have better afforded to break two right-handed pipes.”]