"Well," said the conductor, rising and picking up his lantern, "the man
in front may be all right, but I would feel safer if you were further
ahead than the smoker. I'm sorry I can't offer you a berth to-night,
John, but we're full clear through to the rear lights. There isn't even
a vacant upper on the train."
"Oh, it doesn't matter," said Saggart. "I couldn't sleep, anyhow. I'd
rather sit here and look out of the window."
"Well, so long," said the conductor. "I'll drop in and see you as the
night passes on."
Saggart lit his pipe and gazed out into darkness. He knew every inch of
the road--all the up grades and the down grades and the levels. He knew
it even better in the murkiest night than in the clearest day. Now and
then the black bulk of a barn or a clump of trees showed for one moment
against the sky, and Saggart would say to himself, "Now he should shut
off an inch of steam," or, "Now he should throw her wide open." The
train made few stops, but he saw that they were losing time. Eighty-six
was sulking, very likely. Thinking of the engine turned his mind to his
own fate. No man was of very much use in the world, after all, for the
moment he steps down another is ready to stand in his place. The wise
men in the city who had listened to his defence knew so well that an
engine was merely a combination of iron and steel and brass, and that a
given number of pounds of steam would get it over a given number of
miles in a given number of hours, and they had smiled incredulously
when he told them that an engine had her tantrums, and informed them
that sometimes she had to be coddled up like any other female. Even
when a man did his best there were occasions when nothing he could do
would mollify her, and then there was sure to be trouble, although, he
added, in his desire to be fair, she was always sorry for it afterward.
Which remark, to his confusion, had turned the smile into a laugh.
He wondered what Eighty-six thought of the new man. Not much,
evidently, for she was losing time, which she had no business to do on
that section of the road. Still it might be the fault of the new man
not knowing when to push her for all she was worth and when to ease up.
All these things go to the making of time. But it was more than
probable that old Eighty-six, like Gilpin's horse, was wondering more
and more what thing upon her back had got. "He'll have trouble,"
muttered John to himself, "when she finds out."
The conductor came in again and sat down beside the engineer. He said
nothing, but sat there sorting his tickets, while Saggart gazed out of
the window. Suddenly the engineer sprang to his feet with his eyes wide
open. The train was swaying from side to side and going at great speed.
The conductor looked up with a smile.
"Old Eighty-six," he said, "is evidently going to make up for lost
time."
Public-domain text, read in full here on John Shaqi.
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