The face of Manchuria, Korea, & Russian TurkestanKemp, E. G. (Emily Georgiana)
History
The face of Manchuria, Korea, & Russian Turkestan
Kemp, E. G. (Emily Georgiana)
Asia, Central -- Description and travel; Korea -- Description and travel; Manchuria (China) -- Description and travel
In the days of his glory Tamerlane determined to have erected for
himself a mausoleum excelling in magnificence all the other buildings at
Samarkand. For this purpose he selected the Persian architect, Abdullah,
charging him to build a tomb worthy to enshrine his remains. The two
original towers which flanked the cupola are both gone, one of them
quite recently, and the great western archway is falling to pieces, but
the immense Kûfic[5] characters (white on a blue ground) which form the
frieze immediately below the cupola are still almost perfect. The style
is not entirely Persian, but was probably modified by the influence of
the architecture which the Persians found in Samarkand. On each side of
the main building is a small chapel containing tombs of minor importance.
Entering the tomb by a beautifully carved and inlaid door, we found
ourselves in a little sanctuary, where the faithful come to pray, laying
their foreheads against the walls. The height of the dome (measured from
within) is about 74 feet. Despite a small window at each end containing
alabaster tracery, the light is dim, and a religious hush seems to
pervade the building. Not only Tamerlane but others also are buried
here. Shortly after the building of the mausoleum, his teacher, Saïd
Mir Berke, a venerable mullah (holy man), died, so Tamerlane showed his
supreme reverence for him by having him buried in the Gur Amir, ordering
that his own body should be placed (when he died) at the mullah’s feet.
There are in addition several small tombstones surrounding the special
slab (said to be of green jade) which marks Tamerlane’s resting-place.
This precious monolith was sent for this purpose by a Mongolian
princess ten years after his death to his successor, Nadir Shah, but
was unfortunately broken in the transport. The two pieces have been
fastened together, and it has been elaborately carved with Tamerlane’s
name, titles, and ancestry, interspersed with passages from the Koran.
Copies of these are for sale at the tomb. Monsieur Edouard Blanc, in an
interesting article in the _Revue des Deux Mondes_ (Feb. 15, 1893), says
he examined this stone very carefully from the mineralogist’s point of
view, and has no hesitation in declaring that it is not jade. Certainly
there is no other known specimen of this stone anything like the size,
for jade is only found in small pieces; but there are other stones
frequently mistaken for jade, such as jadeite (hence its name), which is
not nearly so valuable. Tamerlane’s known desire to have a tomb of jade
is probably the reason why it is so called. The jade mines of Turkestan
have been celebrated in China for at least 2000 years. Above the mullah’s
tomb are two crossed bamboo poles bearing the Prophet’s green flag, and
the standard, which consists of a horse’s mane and a gold button. The
tombs are enclosed by a low alabaster-work balustrade, as seen on the
left hand in the sketch.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account