The Commuter is bound to see the stars nightly, as he goes down to
shut up the hens. He has the whole outdoors in his yard, with the
exception of a good fish-pond; but if he has no pond, he has, and
always will have, to save him from the round of the mill, a little
round of his own--those various endless, small, inconvenient
home-tasks, known as “chores.” To fish is “to be for a space dissolved
in the flux of things, to escape the calculable, drop a line into the
mysterious realms above or below conscious thought”; to “chore” is for
a space to stem the sweeping tides of time, to outride the storms of
fate, to sail serene the sea of life--to escape the mill!
Blessed is the man who has his mill-work to do, perfunctory,
necessitous, machine-work to do; twice blessed the man who has his
mill-work to do and who loves the doing of it; thrice blessed the man
who has it, who loves it, and who, besides, has the varied, absorbing,
self-asserting, self-imposed labors about his own barn to perform!
There are two things in the economy of unperverted nature that it was
never intended, I think, should exist: the childless woman and the
choreless man. For what is a child but a woman with a soul? And what
is a chore? Let me quote the dictionary:--
“_Chore_, _char_, a small job; especially a piece of minor domestic
work, as about a house or barn; ... generally in the plural.”
A small, domestic, plural job! There are men without such a job, but
not by nature’s intention; as there are women without children, and
cows without cream.
What change and relief is this small, domestic, plural job from the
work of the shop! That work is set and goes by the clock. It is nine
hours long, and all in the large or all in the infinitesimally small,
and all alike. It may deal with millions, but seldom pays in more
than ones and twos. And too often it is only for wages; too seldom is
it for love--for one’s self.
Not so this small domestic job. It is plural and personal, to be done
for the joy of doing it. So it ought to be with these Freshmen themes
that I go on, year after year, correcting; so it ought to be with the
men’s shoes that my honest neighbor goes on, year after year, vamping.
But the shoes are never all vamped. Endless vistas of unvamped shoes
stretch away before him down the working days of all his years. He
never has the joy of having finished the shoes, of having a change of
shoes. But recently he reshingled his six by eight hencoop and did a
_finished_ piece of work; he trimmed and cemented up his apple tree
and did a finished piece of work; he built a new step at the kitchen
door and did a finished piece of work. Step and tree and hencoop had
beginnings and ends, little undertakings, that will occur again, but
which, for this once, were started and completed; small, whole,
various domestic jobs, thrice halting for him the endless
procession,--the passing, the coming, the trampling of the shoes.
Public-domain text, read in full here on John Shaqi.
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