“It’s a warehouse in New York where dead plays go--the scenery,
I mean.” Mark pointed to a full wreath of steam floating above
the Pan American building, “Watch it go. No wind. Ought to last a
minute.--Busted,” he sighed, as the lovely cream melted. “But I ain’t
sorry this happened, Olive. Teach her she don’t know so much about the
show business. ‘Todgers’ll’ make a little money here because the town’s
packed full. But I’m afraid Philadelphia’ll be its Waterloo. Well,
the Boston _Transcript_ had three columns on ‘Captain Salvador.’ It’s
in the biggest theatre in Boston and they had standing room only last
night. Gurdy got a wire from a kid he knows in Harvard that a couple of
professors came out of the woods and told their classes to go see the
thing.”
His talk came turning back to “Captain Salvador” for the rest of the
week. He was bodily listless after the strain of the Boston production.
Gurdy forced him to play golf and tramp the spread city when Olive and
Margot were at teas in the British colony. Russell often walked and
every night dined with them, examining Margot with his sharp hazel eyes
so that Gurdy fancied the man exhaling her essence with his cigarette
smoke. He sat with Gurdy on Monday afternoon in the smoking car on the
road to Philadelphia and observed, “Miss Walling’s very much interested
in ‘Todgers.’ How will she take the blow when it fails, here? It’ll be
a flat failure, tonight, Gurdy. See if it isn’t.”
“Margot and I are going to a dance. We shan’t see it flop.”
“It’ll flop very flat and hard. I’m a Philadelphian. You should warn
Miss Walling.”
Mark startled Gurdy by warning Margot during tea in the small suite of
the Philadelphia hotel while she stood at the tin voiced piano rattling
tunes with one hand. Mark said nervously, “Now, sister, if ‘Todgers’
is a fluke here--why, I can’t waste time and cash fooling with it any
longer.” He coughed and finished, “I’ll send your friend Dufford a
check and--amen.”
“You’re an old duck,” said Margot, “and I’ll be good. Shan’t ever try
to choose another play for you--never, never, never.” She tinkled the
negro song from “Captain Salvador” tapping one foot so that the silver
buckle sparkled. “Wish I could sing.... Life is like a--what’s good old
life like, Gurdy?”
“Like a mountain railway.”
“That a simile or a metaphor?--I say, I must get scrubbed. Six o’clock.”
She passed Gurdy, leaving the room. He saw her teeth white against the
red translucency of her lower lip and carmine streaks rising in her
face, but her door shut slowly.
“Took it like a Trojan,” Mark proudly said, “Guess the Washington
papers opened her eyes some. Well, let’s go see if Russell’s
downstairs, Gurd. He’s got a room on this floor. Gad, Olive, I wish we
were goin’ to a dance tonight instead of this--junk.”
“Margot should wear something very smart for this dance, shouldn’t
she?” Olive asked. “The Jannans are the mighty of earth, aren’t they?”
“Old family. Steel mills,” Gurdy explained.
Public-domain text, read in full here on John Shaqi.
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