Gurdy walked away and a clerk from Mark’s office brushed by him with a
papered load of yellow roses. The boy turned and saw Olive take these
against her black furs. She stood graciously thanking the clerk for
a moment, smiling. Then she stepped into the vestibule and the train
stirred. Gurdy walked on. The colossal motion of the crowd in the
brilliant station was a relief and a band hammered out some military
march by a Red Cross booth. His spirit lifted; the strained waiting
of three days was done; Margot was gone; Gurdy wouldn’t have to watch
Mark’s piteous effort at normality. He found his uncle alone in the
office at the 45th Street Theatre, studying a model for a scene and
swiftly Mark asked, “I sent Jim with some--”
“He got there.”
Mark sighed and rubbed his hair. Everything confused him. He hoped
Olive would forgive him for not coming to the station. That had been
cowardly. He said, “Ought to have gone along, son.... Afraid I’d say
something I shouldn’t. I shouldn’t have let you do it alone. This is
worse on you than it is on me. I--”
“Mark, on my honour, I’m not in love with Margot!”
He lied so nobly that Mark wondered at him and brought out a thin
chuckle. “You’re a card, son!... If I didn’t know better I’d almost
believe you.... Well, take a look at this set. That left wall looks
kind of dark to me. It’s ox blood and it might light up with spots on
it. What d’you think?”
Callers interfered. Gurdy went down the stairs into the lobby packed
with women who came out from the matinée. All these decorated bodies
flowed left and right about a dull blue placard announcing, “Early
in December The Walling Theatre will open with ‘Captain Salvador’ by
Stephen O’Mara,” and some women paused, drawing on gloves, fussing with
veils. A slim and black haired girl stared boldly at Gurdy, passing
him. She wasn’t like Margot but he hated her for an instant and then
stalked up Sixth Avenue where the lights of restaurants roused in the
dusk and the crowd of Saturday evening brayed. In ten cool blocks Gurdy
captured his philosophy, held it firmly; Mark was unreasonably hurt--in
fact, Mark was an old-fashioned, unphilosophic fellow who hadn’t
progressed, was still a country boy in essence, hadn’t even gained the
inferior cynicism of his trade and friends. He was letting himself be
bullied by Cora Boyle on an antique concept. Why should he let himself
be laughed at and lose money for this immaterial thing? Gurdy succeeded
in getting angry at Mark and tramped about the blue library preparing a
lecture, saw a glove of Margot’s on a table and tossed it into a waste
basket. He could imagine Mark shedding tears over that empty glove and
its presence in the copper basket fretted Gurdy. He plucked it forth
and flung it into the fire of cedar logs where it made a satisfactory
hiss, blackening. It must have been perfumed. A scent floated out of
the fire. Gurdy grinned over the symbol and poked the remnant which
crumbled and was nothing.
Public-domain text, read in full here on John Shaqi.
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