“Why don’t more writers write for the theatre, Gurdy? Ever been in
Billy Loeffler’s office? Five thousand bootlickers and hussies squatted
all over the place. I sent that fellow Moody that wrote the ‘Great
Divide’ to see Loeffler. Had to set in the office with a bunch of song
carpenters from tin pan alley and a couple of tarts while Loeffler was
prob’ly talkin’ to some old souse he’d knew in Salt Lake City. And then
Loeffler looks at the play and asks is there a soobrette part in it
for some tomtit his brother was keepin’! A writer’s got a thin skin,
ain’t he? Here Mark gets mad because this writer Mencken says managers
are a bunch of hogs. Well, ain’t they? Four or five ain’t. Sure,
they’re hogs. Human beings. Hogs. Same as the rest of mankind. Good
thing Christ died to save us.” He contemplated redemption through the
cigarette smoke. His Irish nurse crossed herself in a corner. Carlson
went on, “Say, that feller Russell Mark’s got drillin’ that English
comedy is all right. Was in to see me, yesterday. Good head. Knows his
job. Says this Rand pinhead is raisin’ Cain at rehearsals. Better drop
in there and see what goes on. Mark’s so busy with that Cuban play he
ain’t got time.”
Rehearsals of “Todgers Intrudes” went on at a small theatre below
Forty Second Street. Gurdy drifted into the warm place and watched the
director, Russell, working. On the bare stage five people progressed
from point to point of the tepid comedy. Russell, a stooped, bald man
of thirty-five, sat near the orchestra pit. Gurdy had watched the
rehearsal ten minutes before Russell spoke. “Don’t cross, there, Miss
Marryatt. Stand still.” Then, “still, please, Mr. Rand.” On the stage
Cosmo Rand gave the director a stare, shrugged and strolled toward
the cockney comedian, the intrusive Todgers of the plot. Russell said
nothing until a long speech finished, then, “You’re all rushing about
like cooties. Go back to Miss Marryatt’s entrance and take all your
lines just as you stand after she’s sat down. Dora isn’t pronounced
Durrer, Mr. Hughes.” Gurdy was thinking of the long patience needed in
this trade when Russell spoke sharply, “Mr. Rand, will you please stand
still!”
“My God,” said Rand, “must I keep telling you that I played this part
in--”
“Will you be so good as to stand still?”
Rand continued his lines. Gurdy walked down and slipped into a chair
beside the director, aware that the players stiffened as soon as they
saw Mark’s nephew. The handsome Miss Marryatt began to act. Cosmo Rand
sent out his speeches with a pleasant briskness. Russell murmured,
“Glad you happened in, Bernamer. This was getting beyond me. School
children,” and the act ended.
“Three o’clock, please,” said the director. The small company trickled
out of the theatre. Russell lit his pipe and stretched, grinning.
“Rand’s very capable and a nice fellow enough but he’s difficult. Fine
looking, isn’t he? Come to lunch with me.”
Public-domain text, read in full here on John Shaqi.
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