"I hope, dear child," Mrs. Frankland went on, in a meditative tone, looking out of the window and steering now upon a home tack--"I hope that I can serve in some way the cause of the poor you have so much at heart. Missions like yours languish for funds. If I could be the means of bringing people of great fortune to consecrate their wealth, it might fill many a thirsty channel of benevolence with refreshing streams." Ah, that one could produce here the tone of her voice as of a brook brimming over barriers, and running melodious to the meadows below! "That is true," said Phillida, remembering how many betterments might be made in the coffee-room and the reading-room if only one had the money, and remembering how her own beloved Charley had helped the Mission and made the lot of the unhappy Wilhelmina Schulenberg less grievous. "I do think it may prove to be a great work," she added thoughtfully, folding her hands upon her lap in unconscious sign that she had reached a conclusion--a logical equilibrium. "And I want you to go with me to the readings on Thursday. Mrs. Van Horne knows your aunt, Mrs. Gouverneur, and she will be glad to see you." Phillida looked down and began to pinch the tips of her fingers again. She shrunk a little from Mrs. Van Horne's set; she thought her dress probably beneath their standard, but with an effort she put away such fears as frivolous, and promised to go. Thursday afternoon found Phillida sitting by Mrs. Hilbrough in the Van Horne parlor, which was draped with the costly products of distant looms, wrought by the dusky fingers of Orientals inheriting the slowly perfected special skill of generations, and with the fabrics produced by mediaeval workmen whose artistic products had gathered value as all their fellows had perished; for other races and other ages have contributed their toil to the magnificence of a New York palace. The great room was spanned by a ceiling on which the creative imaginations of great artists had lavished rare fancies in gold and ivory, while the costliest, if not the noblest, paintings and sculptures of our modern time were all about a parlor whose very chairs and ottomans had been designed by men of genius.