After a while Agatha grew as restless as the poet seems in the statue. She had brought money enough to take her party about the Park in the regular coaches, and spending-money unspent always made Agatha unhappy. She now broached the subject of taking a coach, and remembered that it was a free day at the Art Museum. Millard proposed to go to the Fifth Avenue gate and get a carriage for the party. This extravagance the prudent Mrs. Callender would not consent to, and so Millard conducted the ladies to the place where Shakspere, a little weak in the knees, has long been doing his best, according to his ability, to learn a part in a new play. The first coach that came by had but two vacancies. Millard hailed it, and said promptly: "Now, Miss Agatha, we shall not find four places in one coach to-day. You and Mrs. Callender get into this one, and take stop-over checks at the Museum. Miss Callender and I will join you there in the next coach or on foot." There was no time for debate, and before Mrs. Callender could muster her wits to decide what was best to be done about this, Charley's gloved hands had gently helped her into the coach, put Agatha in beside her, and handed a half-dollar to the driver for the fare. Just as Mrs. Callender was beginning to protest against this last act the coach rolled away, and Agatha saw Millard and Phillida face about without waiting for another coach and return toward Shakspere and the Mall. "I oughtn't to have let him pay for us," murmured Mrs. Callender. "Oh, you needn't feel under any obligations," whispered Agatha; "he just wanted to be alone with Phillida." But now that Millard had seized the advantage of an unchaperoned stroll with Phillida, he found himself without the courage to use it. The very suddenness with which they had been left to themselves made Phillida feel that a crisis was imminent, and this served to give her an air of confusion and restraint. In presence of this reserve Millard drew back. The two strolled along the Mall, admiring the wide, elm-shaded triple avenue, and talking of uninteresting subjects. They were involved once more in the evergrowing holiday crowd, and Millard saw with vexation that his opportunity was slipping away from him. When they had traversed the length of the Mall and were approaching the bust of Beethoven, Phillida said suddenly: "There is Mina Schulenberg in a wheel-chair. I wonder how she contrived to get one." She pushed forward toward the invalid, but Millard hung back a little, and Phillida suspected that he was probably ashamed to be seen talking with Mina, who was wheeled by her brother, a stalwart young man of twenty, in his Sunday clothes. "O Miss Callender, is it you? Do you see my chair already? It must have been you who managed to get it for me." "No, Wilhelmina; indeed I knew nothing about it till I saw you in it this moment."