The demolition of images was revived by the Reformers of the sixteenth century. Paintings and statues were ruthlessly destroyed, chiefly in the British Isles, Germany and Holland, under the pretext that the making of them was idolatrous. But as the Iconoclasts of the eighth century had no scruple about appropriating to their own use the gold and silver of the statues which they melted, neither had the Iconoclasts of the sixteenth century any hesitation in confiscating and worshiping in the idolatrous churches whose statues and paintings they broke and disfigured. A stranger who visits some of the desecrated Catholic churches of Great Britain and the Continent which are now used as Protestant temples cannot fail to notice the mutilated statues of the Saints still standing in their niches. This barbaric warfare against religious memorials was not only a grievous sacrilege, but an outrage against the fine arts; and had the destroying angels extended their ravages over Europe the immortal works of Michael Angelo and Raphael would be lost to us today. The doctrine of the Catholic Church regarding the use of sacred images is clearly and fully expressed by the General Council of Trent in the following words: “The images of Christ, and of His Virgin Mother, and of other Saints, are to be had and retained, especially in churches; and a due honor and veneration is to be given to them; not that any divinity or virtue is believed to be in them for which they are to be honored, or that any prayer is to be made to them, or that any confidence is to be placed in them, as was formerly done by the heathens, who placed their hopes in idols; but because the honor which is given them is referred to the originals which they represent, so that by the images which we kiss, and before which we uncover our heads or kneel, we adore Christ and venerate His Saints, whose likeness they represent.”(274) Every Catholic child clearly comprehends the essential difference which exists between a Pagan idol and a Christian image. The Pagans looked upon an idol as a god endowed with intelligence and the other attributes of the Deity. They were therefore idolaters, or _image worshipers_. Catholic Christians know that a holy image has no intelligence or power to hear and help them. They pay it a relative respect—that is, their reverence for the copy is proportioned to the veneration which they entertain for the heavenly original to which it is also referred.