London (England) -- Fiction; Man-woman relationships -- Fiction
“Tell him I’ll give the lecture--with my compliments and thanks. If I
can only succeed,” pursued Amelius, hearing himself with the new idea,
“I may make a name as a lecturer, and a name means money, and money
means beating Farnaby with his own weapons. It’s an opening for me,
Rufus, at the crisis of my life.”
“That is so,” Rufus admitted. “I may as well look up the secretary.”
“Why shouldn’t I go with you?” Amelius suggested.
“Why not?” Rufus agreed.
They left the house together.
BOOK THE FIFTH. THE FATAL LECTURE
CHAPTER 1
Late that night Amelius sat alone in his room, making notes for the
lecture which he had now formally engaged himself to deliver in a week’s
time.
Thanks to his American education (as Rufus had supposed), he had not
been without practice in the art of public speaking. He had learnt to
face his fellow-creatures in the act of oratory, and to hear the sound
of his own voice in a silent assembly, without trembling from head to
foot. English newspapers were regularly sent to Tadmor, and English
politics were frequently discussed in the little parliament of the
Community. The prospect of addressing a new audience, with their
sympathies probably against him at the outset, had its terrors
undoubtedly. But the more formidable consideration, to the mind of
Amelius, was presented by the limits imposed on him in the matter of
time. The lecture was to be succeeded (at the request of a clerical
member of the Institution) by a public discussion; and the secretary’s
experience suggested that the lecturer would do well to reduce his
address within the compass of an hour. “Socialism is a large subject
to be squeezed into that small space,” Amelius had objected. And the
secretary sighed, and answered, “They won’t listen any longer.”
Making notes, from time to time, of the points on which it was most
desirable to insist, and on the relative positions which they should
occupy in his lecture, the memory of Amelius became more and more
absorbed in recalling the scenes in which his early life had been
passed.
Public-domain text, read in full here on John Shaqi.
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