London (England) -- Fiction; Man-woman relationships -- Fiction
“It is a comfort to me to see you, Amelius,” she said; “I am in trouble
about my uncle, and I am weary of my own anxious thoughts. Something
unpleasant has happened in Mr. Farnaby’s business. He goes to the City
earlier, and he returns much later, than usual. When he does come back,
he doesn’t speak to me--he locks himself into his room; and he looks
worn and haggard when I make his breakfast for him in the morning.
You know that he is one of the directors of the new bank? There was
something about the bank in the newspaper yesterday which upset him
dreadfully; he put down his cup of coffee--and went away to the City,
without eating his breakfast. I don’t like to worry you about it,
Amelius. But my aunt seems to take no interest in her husband’s
affairs--and it is really a relief to me to talk of my troubles to you.
I have kept the newspaper; do look at what it says about the bank, and
tell me if you understand it!”
Amelius read the passage pointed out to him. He knew as little of
banking business as Regina. “So far as I can make it out,” he said,
“they’re paying away money to their shareholders which they haven’t
earned. How do they do that, I wonder?”
Regina changed the subject in despair. She asked Amelius if he had found
new lodgings. Hearing that he had not yet succeeded in the search for a
residence, she opened a drawer of her work-table, and took out a card.
“The brother of one of my schoolfellows is going to be married,” she
said. “He has a pretty bachelor cottage in the neighbourhood of the
Regent’s Park--and he wants to sell it, with the furniture, just as it
is. I don’t know whether you care to encumber yourself with a little
house of your own. His sister has asked me to distribute some of his
cards, with the address and the particulars. It might be worth your
while, perhaps, to look at the cottage when you pass that way.”
Amelius took the card. The small feminine restraints and gentlenesses
of Regina, her quiet even voice, her serene grace of movement, had a
pleasantly soothing effect on his mind after the anxieties of the last
four and twenty hours. He looked at her bending over her embroidery,
deftly and gracefully industrious--and drew his chair closer to her.
She smiled softly over her work, conscious that he was admiring her, and
placidly pleased to receive the tribute.
“I would buy the cottage at once,” said Amelius, “if I thought you would
come and live in it with me.”
She looked up gravely, with her needle suspended in her hand.
“Don’t let us return to that,” she answered, and went on again with her
embroidery.
“Why not?” Amelius asked.
She persisted in working, as industriously as if she had been a poor
needlewoman, with serious reasons for being eager to get her money. “It
is useless,” she replied, “to speak of what cannot be for some time to
come.”
Amelius stopped the progress of the embroidery by taking her hand. Her
devotion to her work irritated him.
Public-domain text, read in full here on John Shaqi.
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