London (England) -- Fiction; Man-woman relationships -- Fiction
A certain middle-aged man of business has been briefly referred to, in
these pages, as one of Regina’s faithful admirers, patiently submitting
to the triumph of his favoured young rival. This gentleman, issuing from
his carriage with his card-case ready in his hand, met Amelius at
the door, with a face which announced plainly that a catastrophe had
happened. “You have heard the sad news, no doubt?” he said, in a rich
bass voice attuned to sadly courteous tones. The servant opened the
door before Amelius could answer. After a contest of politeness, the
middle-aged gentleman consented to make his inquiries first. “How is Mr.
Farnaby? No better? And Miss Regina? Very poorly, oh? Dear, dear me!
Say I called, if you please.” He handed in two cards, with a severe
enjoyment of the melancholy occasion and the rich bass sounds of his
own voice. “Very sad, is it not?” he said, addressing his youthful
rival with an air of paternal indulgence. “Good morning.” He bowed with
melancholy grace, and got into his carriage.
Amelius looked after the prosperous merchant, as the prancing horses
drew him away. “After all,” he thought bitterly, “she might be happier
with that rich prig than she could be with me.” He stepped into the
hall, and spoke to the servant. The man had his message ready. Miss
Regina would see Mr. Goldenheart, if he would be so good as to wait in
the dinning-room.
Regina appeared, pale and scared; her eyes inflamed with weeping. “Oh,
Amelius, can you tell me what this dreadful misfortune means? Why has
she left us? When she sent for you yesterday, what did she say?”
In his position, Amelius could make but one answer. “Your aunt said she
thought of going away. But,” he added, with perfect truth, “she refused
to tell me why, or where she was going. I am quite as much at a loss to
understand her as you are. What does your uncle propose to do?”
Mr. Farnaby’s conduct, as described by Regina, thickened the mystery--he
proposed to do nothing.
Public-domain text, read in full here on John Shaqi.
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