The tide of war had begun to turn. Earlier in the week had come the
news of General Cronje's surrender, after the three days' shelling of
his laager at Paardeberg. Hence satisfaction, not only of victory but
of compassion, since a sense of horror had weighed on the hearts of
even the least sentimental at thought of the stubborn thousands, penned
in that flaming rat-trap of the dry river-bed, ringed about by
sun-baked rock and sand and death-belching guns. To-day came news of
the relief of long-beleaguered Ladysmith, and London was shaken by
emotion, under the bleak moisture-laden March sky, the air thick with
the clash of joy-bells, buildings gay with riotous outbreak of
many-coloured flags, the streets vibrant with the tread and voices of
surging crowds.
Iglesias, who early that afternoon had walked Citywards to see the
holiday aspect of the town and glean the latest war news, growing
somewhat weary on his homeward journey of the humours of his
fellow-citizens--which became beery and boisterous as the day drew
on--turned in at the open gates of the Oratory, in passing along the
Brompton Road. His purpose was to gain a little breathing space from
the jostling throng, by standing at the head of the steps under the
wide portico of the great church. Looking westward, above the wedge of
mean and ill-assorted houses that marks the junction of the Fulham and
the Cromwell Roads--the muddy pavements of which, far as the eye
carried, were black with people--the yellowish glare of a pallid sunset
spread itself across the leaden dulness of the sky. The wan and sickly
light touched the architrave and columns of the facade of the great
church, bringing this and the statue of the Blessed Virgin which
surmounts it into a strange and phantasmal relief--a building not
material and of this world, but rather of a city of dreams. To Iglesias
it appeared as though there was an element of menace in that cold and
melancholy reflection of the sunset. It produced in him a sense of
insecurity and distrust, which the roar of the traffic and horseplay of
the crowd were powerless to counteract. London, the monstrous mother,
in this hour of her rejoicing showed singularly unattractive. Her
features were grimed with soot, her dull-hued garments foul with slush,
her gestures were common, her laughter coarse. His soul revolted from
the sight and sound of her; revolted against the fate which had bound
him so closely to her in the past, and which bound him still. The
spirit of her infected even the sky above her, painting it with the sad
colours of perplexity and doubt. He stepped farther back under the
portico, moved by desire to escape from the too insistent thought and
spectacle of her. Doing so, he became aware of music reaching him
faintly from behind the closed doors of the church, fine yet sonorous
harmonies supporting the radiant clarity of a boy's voice.
Public-domain text, read in full here on John Shaqi.
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