Mr. Iglesias crossed the drawing-room, glad at heart, erect and stately
as in the fulness of health. For a minute or so he stood looking out
into the garden, at the stone basin full to the lip--in which the
sparrows, relieved of the presence of the toy spaniels, washed with
much fluttering of sooty wings--and at the spring flowers, beginning to
close their delicate blossoms as the sun declined towards its setting
in the gold and grey of the west. In the recovered stillness, those
same spiritual presences, rare apprehensions, exquisite memories,
mysterious invitations, once again obtained possession, coming forth,
passing lightly to and fro, filling all the place. In aspect and
sentiment they were benign, all fearfulness having gone from out
them--they telling of fair things only, of human relations unbroken by
treachery or self-seeking, unsullied by lust; telling, too, of godly
endeavour faithfully to travel the road which leads to the far horizon
touched by the illimitable glory of the Uncreated Light.
But presently Dominic Iglesias became aware that he was very, very
tired. He sat down in the chair again.
"Lord have mercy. Christ have mercy," he murmured, crossing himself. "I
think the day's work is over. I will sleep."
That night Poppy St. John played as she had never played before; and
her audience, taking her astonishing manifestation of talent as a
compliment to themselves, cried with her and laughed with her in most
wholehearted fashion.
Antony Hammond, in the stage box on the right, turned to Adolphus Carr,
his companion, saying:
"Did I really write such admirable drama as this? I have girded at that
term, 'creating a part,' as an example of the colossal vanity of the
actor, and his very inadequate reverence for his maker, the playwright.
But, I give you my word, after to-night I hide my diminished head. The
player and playing are greater than any fondest conception of mine,
when I put those words on paper."
And Lionel Gordon, his habitual imperturbability altogether broken up
by excitement, stamped up and down stammering:
"Ge-ge-hanna, gehanna, what possesses the woman? I'd tour creation with
her. She must be made to sign a three years' contract. If she can act
like this there's nothing less than a cool half-million sterling in
her."
And Alaric Barking, lean and haggard, invalided home from South Africa,
escaping for one evening from the ministrations of gentle Lady
Constance Decies and his pretty _fiancee_, sat huddled together at the
end of a row at the back of the pit, hoping, "The deuce! nobody would
see him," with a choke in his throat. He would love, honour, and
cherish his pretty, high-bred, innocent maiden; but Poppy's voice tore
at his very vitals. And he asked himself how had he ever borne to give
her up, forgetting, as is the habit of civilised man in such slightly
humiliating circumstances, that it was Poppy herself, not he, who loved
and rode away.
Public-domain text, read in full here on John Shaqi.
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