The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
He shook his head ominously, and for a moment Maud was depressed, but
the signs of foreboding vanished from her angelic brow, and she made the
natural inquiry:
“What we _goin’_ to paint?”
To Bill also, it was evident that something had to be painted; but as he
looked about him, the available material seemed sparse. As a being
possessed of reason, he understood that a spanking applied to his sister
in order to emphasize the immunity of houses, might well be thought to
indicate that stables and fences were also morally unpaintable. Little
appeared to remain at the disposal of a person who had just
providentially acquired a can of red paint and a brush. Shrubberies were
obviously impracticable, and Bill had his doubts about the trunks of
trees: they were made of wood, he knew, like many houses and fences and
stables.
As he stood, thinking profoundly, there came loudly through the still
afternoon the sound of General, shaking his harness and stamping the
ground, as a May fly persisted in annoying him.
Maud pointed with her curling forefinger. “Wet’s paint that,” she said.
“That” was the horse; Maud was pointing at General. And immediately
Bill’s eyes showed his relief from a great strain, and became eager and
confident: nobody had ever told him not to paint a horse.
Hand-in-hand, the brother and sister approached General. The kind old
horse, worried by the fly and the heat, was pleased to have the fly
chased away; and after the first stroke of the cool wet brush on his
right foreleg, he closed one eye in hushed ecstasy and stood motionless,
lest he break the spell.
General’s owner, meanwhile, in the quiet parlour, had not quite
recovered his usual pallor; but the departure of the children mightily
relieved him, and he found time to complete the bestowal of his tie.
Thereafter, Mrs. Ricketts still not making her appearance, he had
leisure to acquaint himself with the design of romantic musical
instruments inlaid in pearl upon the top of the centre-table; and with
the two tall alabaster pitchers upon the mantelpiece, each bearing the
carved word “Souvenir;” and with the Toreador burnt upon a panel of wood
and painted, but obscure with years of standing in an empty
house—though nothing was dusty, for plainly the daughter of vikings had
been “over” everything thoroughly. Altogether, Mr. Thompson considered
the room (which spoke of Lucy Cope’s mother rather than of Lucy) a
pleasant and comfortable one—that is, if those children——
A step descending the stair, a whispering of silk—and Mr. Thompson,
after a last settling of his neck into his collar, coughed reassuringly,
and faced the door with a slight agitation. More would have been
warranted by the vision that appeared there.
Public-domain text, read in full here on John Shaqi.
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