The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
Upon this, Muriel made her entrance swiftly enough to let her mother
know that the last words had been overheard, an advantage the daughter
could not forego. She took her place at the table opposite to her
gourmandizing little brother Robert, and in silence permitted her facial
expression alone to mention what she thought of a mother who called her
“peevish” when she was not present to defend herself.
Only a moment before, she had been thrilled inexpressibly: the
black-and-white stranger, so mysteriously spoken of by her parents, was
indeed a painter. That proved his You-ness, proved everything! Her whole
being (as she would have said) shook with the revelation, and her
anxiety to hear more of him was consuming; but the word “peevish”
brought about an instantaneous reversion. She entered the dining-room in
an entirely different mood, for her whole being was now that of a
daughter embattled with a parent who attacks unfairly—so intricately
elastic are the ways of our whole beings!
Mrs. Eliot offered only the defense of a patient smile; Mr. Eliot looked
puzzled and oppressed; and for a time there was no conversation during
the further progress of this uncomfortable meal. Nothing was to be heard
in the room except the movements of a servant and the audible eating of
fat little Robert, who was incurably natural with his food.
It was Muriel who finally decided to speak. “I’m sorry to have
interrupted your conversation,” she said frostily. “Perhaps, though,
you’d prefer not to say any more about me to papa and Robert while I’m
here to explain what really happened, mamma.”
“Oh, nonsense!” Mr. Eliot said. “I suppose even the Pope gets ‘peevish’
now and then; it’s no deadly insult to say a person got a little
peevish. We weren’t having a ‘conversation’ about you at all. We were
talking about other matters, and just barely mentioned you.”
Muriel looked at him quickly. “What other things were you talking
about?”
He laughed. “My! How suspicious you are!”
“Not at all; I simply asked you what other things you were talking
about.”
Instead of replying, “About a distinguished young painter who saw you on
the street and wants to paint your portrait,” Mr. Eliot laughed again
and rose, having finished his coffee. He came round the table to her and
pinched her ear on his way to the door. “Good gracious!” he said. “Don’t
you suppose your mother and I ever talk about anything except what a
naughty daughter we have?” And with that he departed. Mrs. Eliot said,
“Excuse me,” rather coldly to Muriel, followed him to the front door,
and failed to return.
Public-domain text, read in full here on John Shaqi.
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