The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
Thus they enacted a little drama, improvising the dialogue, for of
course every child is both playwright and actor, and spends most of his
time acting in scenes of his own invention—which is one reason that
going to school may be painful to him; lessons are not easily made into
plays, though even the arithmetic writers do try to help a little, with
their dramas of grocers and eggs, and farmers and bushels and quarts. A
child is a player, and an actor is a player; and both “play” in almost
the same sense—the essential difference being that the child’s art is
instinctive, so that he is not so conscious of just where reality begins
and made-up drama ends. Daisy and Elsie were now representing and
exaggerating their two mothers, with a dash of aunt thrown in; they felt
that they _were_ the grown people they played they were; and the more
they developed these “secondary personalities,” the better they believed
in them.
“An’ with all my trouble an’ everything,” Daisy said, “I jus’ never get
a minute to myself. Even my shopping, it’s all for the fam’ly.”
“So’s mine,” Elsie said promptly. “Mine’s every single bit for the
fam’ly, an’ I never, never get through.”
“Well, look at _me_!” Daisy exclaimed, her hands fluttering in movements
she believed to be illustrative of the rush she lived in. “My fam’ly
keep me on the run from the minute I get up till after I go to bed. I
declare I don’t get time to say my prayers! To-day I thought I _might_
get a little rest for once in my life. But no! I haf to go shopping!”
“So do I, my dear! I haf to look at—— Well, what do _you_ haf to look
at when we go in the stores?”
“Me? I haf to look at everything! There isn’t a thing left in our house.
I haf to look at doilies, an’ all kinds embrawdries, an’ some aperns for
the servants, an’ taffeta, an’ two vases for the liberry mantelpice, an’
some new towerls, an’ kitchen-stove-polish, an’ underwear, an’ oilcloth,
an’ lamp-shades, an’ some orstrich feathers for my blue vevvut hat. An’
then I got to get some——”
“Oh, my dear! _I_ got more’n that _I_ haf to look at,” Elsie
interrupted. And she, likewise, went into details; but as Daisy
continued with her own, and they both talked at the same time, the
effect was rather confused, though neither seemed to be at all disturbed
on that account. Probably they were pleased to think they were thus all
the more realistically adult.
Public-domain text, read in full here on John Shaqi.
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