The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
It was in the autumn of the year just mentioned that he went for the
first time to Europe, accompanying his sister, Mrs. Gordon Troup, an
experienced traveller. She took him through the English cathedrals, then
across the Channel; and they arrived unfatigued at her usual hotel in
Paris after dark on a clear November evening—the fated young
gentleman’s last evening of sanity. Yet, as Mrs. Troup so often recalled
later, never in his life had her brother been more “absolutely normal”
than all that day: not even the Channel had disturbed him, for it was as
still as syrup in a pantry jug; he slept on the French train, and when
he awoke, played gently with Mrs. Troup’s three-year-old daughter
Jeannette who, with a nurse, completed the small party. His talk was not
such as to cause anxiety, being in the main concerned with a tailor who
had pleased him in London, and a haberdasher he made sure would please
him in Paris.
They dined in the salon of their apartment; and at about nine o’clock,
as they finished their coffee, flavoured with a little burnt cognac,
Mrs. Troup suggested the theatre—a pantomime or ballet for preference,
since her brother’s unfamiliarity with the French language rapidly
spoken might give him a dull evening at a comedy. So, taking their
leisure, they went to the Marigny, where they saw part of a potpourri
called a “revue,” which Mrs. Troup declared to be at once too feeble and
too bold to detain them as spectators; and they left the Marigny for the
Folies Bergères, where she had once seen a fine pantomime; but here they
found another “revue,” and fared no better. The “revue” at the Folies
Bergères was even feebler, she observed to her brother, and much bolder
than that at the Marigny: the feebleness was in the wit, the boldness in
the anatomical exposures, which were somewhat discomfiting—“even for
Paris!” she said.
She remembered afterward that he made no response to her remark but
remained silent, frowning at the stage, where some figurantes just then
appeared to be dressed in ball gowns, until they turned, when they
appeared to be dressed almost not at all. “Mercy!” said Mrs. Troup; and
presently, as the costume designer’s ideas became less and less
reassuring, she asked her brother if he would mind taking her back to
the hotel: so much dullness and so much brazenness together fatigued
her, she explained.
He assented briefly, though with some emphasis; and they left during the
entr’acte, making their way through the outer room where a “Hungarian”
band played stormily for a painted and dangerous-looking procession
slowly circling like torpid skaters in a rink. The _bang-whang_ of the
music struck full in the face like an impulsive blow from a fist; so did
the savage rouging of the promenaders; and young Mr. Blake seemed to be
startled: he paused for a moment, looking confused. But Mrs. Troup
pressed his arm. “Let’s get out to the air,” she said. “Did you ever see
anything like it?”
Public-domain text, read in full here on John Shaqi.
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