The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
In the course of some long and sympathetic talks with his patient,
Doctor Morphy slightly emphasized a suggestion that of late tin had come
to be considered the most desirable clothing material: the stiffness and
glitter of tin, as well as the sound of it, enabled a person to be
pretty sure he had something over him, so long as he wore one of the new
tin suits, the Doctor explained. Then he took an engraving of _Don
Quixote_ in armour to a tinsmith, had him make a suit of armour in tin,
and left it in Uncle Charlie’s corridor to be stolen.
The awakening, or cure, began there; for the patient accepted the tin
armour as substance, even when it was upon him, the first apparel he had
believed to be tangible and opaque enough for modesty since the night
his sister had taken him to the Folies Bergères in 1904. The patient’s
satisfaction when he had put on this _Don Quixote_ armour was instant,
but so profound that at first he could express it only in long sighs,
like those of a swimmer who has attained the land with difficulty and
lies upon the bank flaccid with both his struggle and his relief. That
morning, for the first time, he made no dive under his bed at the sound
of a knock upon the door, and when he went out for his exercise, he
broke his long habit of darting from the shelter of one tree to another.
He was even so confident as to walk up to a woman nurse and remark that
it was a pleasant day.
Thence onward, the measures to be taken for his restoration to society
were obvious. The tin greaves pinched him at the joints when he moved,
and Doctor Morphy pointed out that silver cloth, with rows of tiny bells
sewed upon it here and there, would glitter and sound even better than
tin. Then, when the patient had worn a suit of this silver cloth,
instead of tin, for a few weeks, the bells were gradually removed, a row
at a time, until finally they were all gone, and Uncle Charlie was
convinced by only the glitter that he went apparelled. After that, the
silver was secretly tarnished, yet the patient remained satisfied. Next
a woollen suit of vivid green and red plaid was substituted; and others
followed, each milder than its predecessor, until at last Uncle Charlie
grew accustomed to the daily thought that he was clothed, and, relieved
of his long anxiety, began to play solitaire in his room. His delusion
had been gradually worn away, but not to make room for another;
moreover, as it lost actuality to him, he began to forget it. His
intelligence cleared, in fact, until upon Thanksgiving Day, 1920, when
Mrs. Troup came to take him away, he was in everything—except a body
forty-six years old—the same young man who had arrived in Paris on a
November evening in 1904. His information, his point of view and his
convictions were those of a commonplace, well-brought-up, conventional
young American of that period; he had merely to bridge the gap.
Public-domain text, read in full here on John Shaqi.
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