The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
Then Mary’s young voice called from the spaces of night. “I’m going to
walk up-town to the concert with Mr. Perley, mother. You’d better wear
your shawl if _you_ come.”
And there was the click of the gate as she passed out.
“We might as well be going along then, I suppose,” said Mrs. Ricketts,
rising. “You’ll come with us old folks, Lucius?”
* * * * *
As the three old folks sauntered along the moon-speckled sidewalk the
two slim young figures in advance were faintly revealed to them,
likewise sauntering. And Lucius was right: you could smell
apple-blossoms from one end of the town to the other.
“I hope our boys will win the band tournament at the county fair next
summer,” said Mrs. Ricketts. “Don’t you think there’s a pretty good
chance of it, Lucius?”
For a moment he appeared not to have heard her, and she gently repeated
her question:
“Don’t you think there’s a pretty good chance of it?”
“Yes, more than a chance,” he dreamily replied. “It only takes a hint in
springtime. They’ll do practically anything you tell ’em to. It’s mostly
the apple-blossoms and the little birds.”
WILLAMILLA
MASTER LAURENCE COY, aged nine, came down the shady sidewalk one summer
afternoon, in a magnificence that escaped observation. To the careless
eye he was only a little boy pretending to be a drummer; for although he
had no drum and his clenched fingers held nothing, it was plain that he
drummed. But to be merely a drummer was far below the scope of his
intentions; he chose to employ his imagination on the grand scale, and
to his own way of thinking, he was a full drum-corps, marching between
lines of tumultuous spectators. And as he came gloriously down the
shouting lane of citizenry he pranced now and then; whereupon, without
interrupting his drumming, he said sharply: “Whoa there, Jenny! Git up
there, Gray!” This drum-corps was mounted.
He vocalized the bass drums and the snare drums in a staccato chant,
using his deepest voice for the bass, and tones pitched higher, and in
truth somewhat painfully nasal, for the snare; meanwhile he swung his
right arm ponderously on the booms, then resumed the rapid employment of
both imaginary sticks for the rattle of the tenor drums. Thus he
projected and sketched, all at the same time, every detail of this great
affair.
“_Boom!_” he said. “_Boom! Boomety, boomety, boom!_” Then he added:
“Boom! Boom!
Boom bought a rat trap,
Bigger than a bat trap,
Bigger than a _cat_ trap!
Boom! Boom!
Boomety, boomety, boom!”
Public-domain text, read in full here on John Shaqi.
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