By way of reply Monsieur Verlaque made a detour along the outside
footway, led him into the enclosure of one of the auctions, and then
explained the working of the various departments of the big yellow
office, which smelt strongly of fish and was stained all over by
drippings and splashings from the hampers. In a little glazed
compartment up above, the collector of the municipal dues took note of
the prices realised by the different lots of fish. Lower down, seated
upon high chairs and with their wrists resting upon little desks, were
two female clerks, who kept account of the business on behalf of the
salesmen. At each end of the stone table in front of the office was a
crier who brought the basket-trays forward in turn, and in a bawling
voice announced what each lot consisted of; while above him the female
clerk, pen in hand, waited to register the price at which the lots were
knocked down. And outside the enclosure, shut up in another little
office of yellow wood, Monsieur Verlaque showed Florent the cashier, a
fat old woman, who was ranging coppers and five-franc pieces in piles.
“There is a double control, you see,” said Monsieur Verlaque; “the
control of the Prefecture of the Seine and that of the Prefecture of
Police. The latter, which licenses the salesmen, claims to have the
right of supervision over them; and the municipality asserts its right
to be represented at the transactions as they are subject to taxation.”
He went on expatiating at length in his faint cold voice respecting the
rival claims of the two Prefectures. Florent, however, was paying but
little heed, his attention being concentrated on a female clerk sitting
on one of the high chairs just in front of him. She was a tall, dark
woman of thirty, with big black eyes and an easy calmness of manner,
and she wrote with outstretched fingers like a girl who had been taught
the regulation method of the art.
However, Florent’s attention was diverted by the yelping of the crier,
who was just offering a magnificent turbot for sale.
“I’ve a bid of thirty francs! Thirty francs, now; thirty francs!”
He repeated these words in all sorts of keys, running up and down a
strange scale of notes full of sudden changes. Humpbacked and with his
face twisted askew, and his hair rough and disorderly, he wore a great
blue apron with a bib; and with flaming eyes and outstretched arms he
cried vociferously: “Thirty-one! thirty-two! thirty-three! Thirty-three
francs fifty centimes! thirty-three fifty!”
Public-domain text, read in full here on John Shaqi.
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