On rainy days they walked gravely beneath the shelter of a ragged old
umbrella, with which Mother Chantemesse had protected her
stock-in-trade for twenty years, and sticking it up in a corner of the
market they called it their house. On sunny days they romped to such a
degree that when evening came they were almost too tired to move. They
bathed their feet in the fountains, dammed up the gutters, or hid
themselves beneath piles of vegetables, and remained there prattling to
each other just as they did in bed at night. People passing some huge
mountain of cos or cabbage lettuces often heard a muffled sound of
chatter coming from it. And when the green-stuff was removed, the two
children would be discovered lying side by side on their couch of
verdure, their eyes glistening uneasily like those of birds discovered
in the depth of a thicket. As time went on, Cadine could not get along
without Marjolin, and Marjolin began to cry when he lost sight of
Cadine. If they happened to get separated, they sought one another
behind the petticoats of every stallkeeper in the markets, amongst the
boxes and under the cabbages. If was, indeed, chiefly under the
cabbages that they grew up and learned to love each other.
Marjolin was nearly eight years old, and Cadine six, when old Madame
Chantemesse began to reproach them for their idleness. She told them
that she would interest them in her business, and pay them a sou a day
to assist her in paring her vegetables. During the first few days the
children displayed eager zeal; they squatted down on either side of the
big flat basket with little knives in their hands, and worked away
energetically. Mother Chantemesse made a specialty of pared vegetables;
on her stall, covered with a strip of damp black lining, were little
lots of potatoes, turnips, carrots, and white onions, arranged in
pyramids of four—three at the base and one at the apex, all quite ready
to be popped into the pans of dilatory housewives. She also had bundles
duly stringed in readiness for the soup-pot—four leeks, three carrots,
a parsnip, two turnips, and a couple of springs of celery. Then there
were finely cut vegetables for julienne soup laid out on squares of
paper, cabbages cut into quarters, and little heaps of tomatoes and
slices of pumpkin which gleamed like red stars and golden crescents
amidst the pale hues of the other vegetables. Cadine evinced much more
dexterity than Marjolin, although she was younger. The peelings of the
potatoes she pared were so thin that you could see through them; she
tied up the bundles for the soup-pot so artistically that they looked
like bouquets; and she had a way of making the little heaps she set up,
though they contained but three carrots or turnips, look like very big
ones. The passers-by would stop and smile when she called out in her
shrill childish voice: “Madame! madame! come and try me! Each little
pile for two sous.”
Public-domain text, read in full here on John Shaqi.
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