This excursion had been talked of for a long time past. Madame Francois
laughed cheerily. She was partial to the two men, and promised them an
_omelette au lard_ as had never been eaten, said she, in “that
villainous Paris.” Florent and Claude revelled in the thought of this
day of lounging idleness which as yet had scarcely begun to dawn.
Nanterre seemed to be some distant paradise into which they would
presently enter.
“Are you quite comfortable?” Madame Francois asked as the cart turned
into the Rue du Pont Neuf.
Claude declared that their couch was as soft as a bridal bed. Lying on
their backs, with their hands crossed under their heads, both men were
looking up at the pale sky from which the stars were vanishing. All
along the Rue de Rivoli they kept unbroken silence, waiting till they
should have got clear of the houses, and listening to the worthy woman
as she chattered to Balthazar: “Take your time, old man,” she said to
him in kindly tones. “We’re in no hurry; we shall be sure to get there
at last.”
On reaching the Champs Elysees, when the artist saw nothing but
tree-tops on either side of him, and the great green mass of the
Tuileries gardens in the distance, he woke up, as it were, and began to
talk. When the cart had passed the end of the Rue du Roule he had
caught a glimpse of the side entrance of Saint Eustache under the giant
roofing of one of the market covered-ways. He was constantly referring
to this view of the church, and tried to give it a symbolical meaning.
“It’s an odd mixture,” he said, “that bit of church framed round by an
avenue of cast iron. The one will kill the other; the iron will slay
the stone, and the time is not very far off. Do you believe in chance,
Florent? For my part, I don’t think that it was any mere chance of
position that set a rose-window of Saint Eustache right in the middle
of the central markets. No; there’s a whole manifesto in it. It is
modern art, realism, naturalism—whatever you like to call it—that has
grown up and dominates ancient art. Don’t you agree with me?”
Public-domain text, read in full here on John Shaqi.
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