Beneath the stall show-table, formed of a slab of red marble veined
with grey, baskets of eggs gleamed with a chalky whiteness; while on
layers of straw in boxes were Bondons, placed end to end, and Gournays,
arranged like medals, forming darker patches tinted with green. But it
was upon the table that the cheeses appeared in greatest profusion.
Here, by the side of the pound-rolls of butter lying on white-beet
leaves, spread a gigantic Cantal cheese, cloven here and there as by an
axe; then came a golden-hued Cheshire, and next a Gruyere, resembling a
wheel fallen from some barbarian chariot; whilst farther on were some
Dutch cheeses, suggesting decapitated heads suffused with dry blood,
and having all that hardness of skulls which in France has gained them
the name of “death’s heads.” Amidst the heavy exhalations of these, a
Parmesan set a spicy aroma. Then there came three Brie cheeses
displayed on round platters, and looking like melancholy extinct moons.
Two of them, very dry, were at the full; the third, in its second
quarter, was melting away in a white cream, which had spread into a
pool and flowed over the little wooden barriers with which an attempt
had been made to arrest its course. Next came some Port Saluts, similar
to antique discs, with exergues bearing their makers’ names in print. A
Romantour, in its tin-foil wrapper, suggested a bar of nougat or some
sweet cheese astray amidst all these pungent, fermenting curds. The
Roqueforts under their glass covers also had a princely air, their fat
faces marbled with blue and yellow, as though they were suffering from
some unpleasant malady such as attacks the wealthy gluttons who eat too
many truffles. And on a dish by the side of these, the hard grey goats’
milk cheeses, about the size of a child’s fist, resembled the pebbles
which the billy-goats send rolling down the stony paths as they clamber
along ahead of their flocks. Next came the strong smelling cheeses: the
Mont d’Ors, of a bright yellow hue, and exhaling a comparatively mild
odour; the Troyes, very thick, and bruised at the edges, and of a far
more pungent smell, recalling the dampness of a cellar; the Camemberts,
suggestive of high game; the square Neufchatels, Limbourgs, Marolles,
and Pont l’Eveques, each adding its own particular sharp scent to the
malodorous bouquet, till it became perfectly pestilential; the
Livarots, ruddy in hue, and as irritating to the throat as sulphur
fumes; and, lastly, stronger than all the others, the Olivets, wrapped
in walnut leaves, like the carrion which peasants cover with branches
as it lies rotting in the hedgerow under the blazing sun.
Public-domain text, read in full here on John Shaqi.
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