Logre, however, declared that the sections would soon be completely
organised; and Florent began to assign the different parts that each
would have to play. One evening, after a final discussion in which he
again got worsted, Charvet rose up, took his hat, and exclaimed: “Well,
I’ll wish you all good night. You can get your skulls cracked if it
amuses you; but I would have you understand that I won’t take any part
in the business. I have never abetted anybody’s ambition.”
Clemence, who had also risen and was putting on her shawl, coldly
added: “The plan’s absurd.”
Then, as Robine sat watching their departure with a gentle glance,
Charvet asked him if he were not coming with them; but Robine, having
still some beer left in his glass, contented himself with shaking
hands. Charvet and Clemence never returned again; and Lacaille one day
informed the company that they now frequented a beer-house in the Rue
Serpente. He had seen them through the window, gesticulating with great
energy, in the midst of an attentive group of very young men.
Florent was never able to enlist Claude amongst his supporters. He had
once entertained the idea of gaining him over to his own political
views, of making a disciple of him, an assistant in his revolutionary
task; and in order to initiate him he had taken him one evening to
Monsieur Lebigre’s. Claude, however, spent the whole time in making a
sketch of Robine, in his hat and chestnut cloak, and with his beard
resting on the knob of his walking-stick.
“Really, you know,” he said to Florent, as they came away, “all that
you have been saying inside there doesn’t interest me in the least. It
may be very clever, but, for my own part, I see nothing in it. Still,
you’ve got a splendid fellow there, that blessed Robine. He’s as deep
as a well. I’ll come with you again some other time, but it won’t be
for politics. I shall make sketches of Logre and Gavard, so as to put
them with Robine in a picture which I was thinking about while you were
discussing the question of—what do you call it? eh? Oh, the question of
the two Chambers. Just fancy, now, a picture of Gavard and Logre and
Robine talking politics, entrenched behind their glasses of beer! It
would be the success of the Salon, my dear fellow, an overwhelming
success, a genuine modern picture!”
Florent was grieved by the artist’s political scepticism; so he took
him up to his bedroom, and kept him on the narrow balcony in front of
the bluish mass of the markets, till two o’clock in the morning,
lecturing him, and telling him that he was no man to show himself so
indifferent to the happiness of his country.
Public-domain text, read in full here on John Shaqi.
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