The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
During the earlier years of his writing Edwards made use of an
automatic word-counter which he attached to his Caligraph--the machine
he was using at that time. He discovered that if a story called for
30,000 words, and he allowed the counter to register that number,
the copy would over-run about 5,000 words. At a much later period he
discovered by actual comparisons of typewritten with printed matter
just the number of words each page of manuscript would average in the
composing-room. From his publishers, however, he once received the
following instructions:
"To enable you to calculate the number of words to write each week,
we make the following suggestions: Type off a LONG paragraph from
a page of one of the weeklies that has been set solid, so that the
number of words in each line will correspond with the same line in
print.
When you have finished the paragraph you can get the average length
of the typed line as written on your machine, and by setting your
bell guard at this average length you will be able to fairly
approximate, line for line, manuscript and printed story.
A complete story should contain 3,000 lines. Calculating in this way,
you will be able to turn in each week a story of about the right
length. Our experience shows us that the calculated length of a story
based on a roughly estimated number of words usually falls short of
our requirements, and although to proceed in the manner suggested
above may involve a little extra work--not above half an hour at the
outside and on one occasion only--by it alone are we convinced that
you will strike the right number of words for each issue."
"Along the Highway of Explanations":
"I cannot see 'The Yellow Streak' quite clear enough. You whoop it up
pretty well for about three-quarters of the story, and then it begins
to go to pieces along the highway of explanations."--Mr. Davis.
Concerning the "Rights" of a Story:
"Unless it is otherwise stipulated, WE BUY ALL MANUSCRIPTS WITH FULL
COPYRIGHT."--F. A. Munsey Co.
And again:
"The signing of the receipt places all rights in the hands of the
Frank A. Munsey Company, but they will be glad to permit you to make
a stage version of your story, only stipulating that in case you
succeed in getting it produced, they should receive a reasonable
share of the royalties."
The Last Word on the Subject:
"Mr. White has turned over to me your letter of October 12, as
I usually answer letters relating to questions of copyright. I
think, under the circumstances, if you want to dramatize the story
we ought to permit you to do so without payment to us. The only
condition we would make would be that if you get the play produced,
you should print a line on the program saying,--'Dramatized from a
story published in _The Argosy_,' or words to that effect."--Mr.
Titherington, of _Munsey's_.
Paragraphing, Politics and Puns:
Public-domain text, read in full here on John Shaqi.
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