The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
We aim to show our patrons, so far as such things may be taught, how
to write fiction, poetry, articles and the like, and then how to sell
them, provided they are up to the standard demanded by editors. We
have been assured so many times that it wearies us, that our magazine
has been the lever that pried open the editorial doors of pretty
nearly every publication in the country. In addition to our articles
we present our Literary Market department in which we list monthly the
complete report of editorial needs, announcements, policies, changes,
prize-contests, etc. This enables the writer to keep his finger on the
magazine pulse; he knows what to write, when to write it, how to write
it, when to submit it, what payment will be made, and countless other
points. Authors such as George Allan England, who is selling regularly
to _McClure's_, _Red Book_, _Bohemian_, etc., have been good enough to
say that this department alone is worth the subscription price. Now add
to the foregoing a spice of good verse, bright editorial comment, and
you'll know why every editor and very nearly every author of note sends
his writer-friends to us.
Why you can't write and do without the authors' trade-journal! You will
always find something between the covers of the magazine that drives
you to work, that spurs you to greater efforts, that puts you on the
high road to success.
We pride ourselves on the fact that THE EDITOR is a good, live
text-book. It is a pretty sort of a teacher, you know, who never
sees an educational journal; new methods and systems are cropping
out constantly. And no writer--we leave this to you--likes to send a
manuscript to a magazine that suspended a few months ago; nor allow an
article to go unread that may cover just the point on which his or her
rejections cling. The writer wants hints, helps, and as many of them as
possible; everybody does. There is no magazine that better meets this
want than THE EDITOR.
We've succeeded in pleasing and making famous the promising writer-folk
of this country since 1894. Mayn't we have you?
15 cents a copy $1.00 a year
THE EDITOR COMPANY
RIDGEWOOD, NEW JERSEY
Transcriber's Notes:
Italics are represented with _underscores_, bold with =equal signs=.
Inconsistent and occasionally inaccurate capitalization/italicization
of publication titles are retained from the original.
Retained some archaic/unusual spellings from the original (e.g.
"grevious," "Omniverous").
Retained inconsistent spellings from the original where different
writers used different word variations (e.g. "installment" in the main
text vs. "instalment" in a quoted letter). Inconsistent spellings
within the same context have been normalized as noted in detail below.
Retained some inconsistent hyphenation from the original (e.g.
viewpoint vs. view-point).
Public-domain text, read in full here on John Shaqi.
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