The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
So far in his writing career Harte & Perkins had been the heaviest
purchasers of Edwards' fiction. They had given him about all he could
do of a certain class of work, and he had not tried to find other
markets for the Factory's product. Pinning his hopes to one firm,
even though it was the best firm in the business, was unsatisfactory
in many respects. For various reasons, any one of which is good and
sufficient, a writer should have more than one "string to his bow."
Harte & Perkins, jealously watching the tastes of their reading public,
were compelled to make many and sudden changes in the material they put
out. This directly affected the writers of the material, and Edwards
was often left with no prospects at all, and perhaps at just the time
when he flattered himself that his prospects were brightest.
In preceding chapters mention has been made of two serial stories in
which Edwards had vainly endeavored to interest Harte & Perkins. One of
these was "The Man from Dakota," and the other, "He Was A Stranger."
These, and another entitled "A Tale of Two Towns," written late in
1900, were ultimately to open new markets.
In a diary for the year 1900, Edwards has this under date of Tuesday,
Jan. 2:
"Mr. Paisley called to see me this morning on a business matter.
It appears that the proprietor of _The Western World_ had ordered
a serial from Opie Read and was not satisfied with it.[G] As _The
Western World_ goes to press in a few days they must have another
story at once. Later in the day I talked with Mr. Underwood the (as
I suppose) proprietor, and he asked me to get 'The Man from Dakota'
from Mr. Kerr, of _The Chicago Ledger_. I did so and took the
manuscript over to Mr. Paisley. If it is acceptable they are to pay
me $200 for it."
Mr. Paisley was a gentleman with whom Mrs. Edwards had become
acquainted while attending Frank Holme's School for Illustration, in
Chicago. He was a man of much ability.
Under Thursday, Jan. 4, the diary has a memorandum to this effect:
"Mr. Paisley came out to see me at noon. They like 'The Man from
Dakota' and will pay me $200 for it, divided into three payments of
$50, $50 and $100."
So, finally, "The Man from Dakota" got into print. While it was still
appearing in _The Western World_; Mr. Underwood conceived the idea of
booming the circulation of his paper by publishing a mystery story--one
of those stories in which the mystery is not revealed until the last
chapter, and for the solution of which prizes are offered. He asked
Edwards if he would write such a story. Why should Edwards write one
when he already had on hand the mystery story unsuccessfully entered in
the old _Chicago Daily News_ contest? He offered this to Mr. Underwood.
He read it and liked it. Mr. Paisley read it and liked it. What was the
very lowest figure Edwards would take for it?
Public-domain text, read in full here on John Shaqi.
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