The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
Mr. Underwood, in getting around to this point, told how he had sent
for Stanley Waterloo and asked him to write the mystery story. "What
will you pay?" inquired Mr. Waterloo. "I'll give you $100," said Mr.
Underwood. Whereupon Mr. Waterloo arose in awful majesty and strode
from the office. He did not even linger to say good-by.
"Now," said Mr. Underwood to Edwards, with a genial smile, "don't you
do that if I offer you seventy-five dollars for 'What Happened to the
Colonel.'"
"Cash?" asked Edwards.
"On the nail."
"Give me the money," said Edwards; "I need it."
Now that the diary has been quoted with a reference to Opie Read,
perhaps another reference to the same genial and talented gentleman may
be pardoned:
Jan. 19, 1900.--"Opie Read made his 'first appearance in vaudeville'
this week, and Gertie (Mrs. Edwards) and I went to the Chicago Opera
House this afternoon to hear him. He was very good, but I would
rather read one of his stories than hear him tell it."
Later in the year Edwards "broke into" the papers served by the
McClure Syndicate with "A Tale of Two Towns." After using this serial
in metropolitan papers, the McClure people sold it to The Kellogg
Newspaper Union to be used in the "patents" sent out to country
newspapers. The story was later brought out in cloth by the G. W.
Dillingham Co., New York.
The third novel, "He Was A Stranger," had already been refused by Harte
& Perkins. Late in May, 1900, Edwards again went "prospecting" to New
York. Feeling positive that Harte & Perkins had missed some of the
good points in the story, he carried the manuscript with him and once
more submitted it. Again it was refused, but Mr. Hall, editor of the
"_Guest_," informed Edwards that he had an excellent story but that it
was impossible for Harte & Perkins to consider its purchase. Edwards
asked if he knew of a possible market. "Mr. Munsey," was the reply, "is
looking for stories for _The Argosy_, and I'd suggest that you take
the story over there and show it to Mr. White, _The Argosy's_ editor."
Edwards tucked the novel under his arm and strolled up Fifth Avenue to
the offices of the Frank A. Munsey Company. There, and for the first
time, he met Mr. Matthew White, Jr.
The impression of power, tremendous ability and a big, two-handed
grasp of _Argosy_ affairs which the editor made upon Edwards, at this
time, has deepened with the passing years. An author, as well as a
keen dramatic critic, Mr. White brings to bear on his editorial duties
an intuition that closely approximates genius. He has proved his
remarkable fitness for the post he occupies by making _The Argosy_,
since Mr. Munsey "divested it of its knickerbockers," the most widely
read of all the purely fiction magazines. And withal he is one of the
most pleasant editors whom a writer will ever have the good fortune to
meet.
Public-domain text, read in full here on John Shaqi.
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