The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
After the dust had settled, and the invasion was finally completed,
$40 had been added to the year's receipts of the Fiction Factory; but
Edwards clings to the hope that some day more of his "fine stories" may
be greedily bought by the German publishers. These German publishers
are honorable enough to buy, where they might pirate, and there are a
few American publishers who might take lessons from them in business
probity. With a small tidbit from a letter of May 18, the pleasant Mr.
Niemann will be dismissed:
"Later, with your permission, I will take up the stories I sell in
GERMANY for sale in FRANCE, DENMARK, NORWAY and SWEDEN?
The monetary remuneration in the SCANDINAVIAN countries is yet
smaller than in GERMANY, but the people are fine readers, and that
for all, who truly LOVE their ART is the chief standpoint I take it?!"
During the latter part of July and the earlier part of August Edwards
was in New York for a couple of weeks. As usual when in the city he
worked even harder than he did at home. Two nickel novels were written,
a serial was put through the Factory for Mr. Davis, and he collected
$200 for a novelette which he sold to _People's_. There was an
interesting, almost a humorous, circumstance connected with the serial.
Edwards called the story "The Man Who Left." When the manuscript was
completed he took it in to Mr. Davis, and two or three days later
called again to learn its fate.
The Munsey offices are up close to the roof in the Flatiron building.
The lair of the editor who presides over the destinies of _The
All-Story Magazine_, _The Railroad Man's Magazine_ and _The Scrap
Book_[L] is flanked on one side by a prospect of space that causes
the occasional caller to hang on to his chair. Across from this dizzy
void is a partition hung with framed photographs of contributors--a
rogues' gallery in which Edwards, when he last saw the collection,
had a prominent place. North of an imaginary line drawn between the
window and the partition sits the editor, grimly prominent against a
motto-covered wall. As the caller faces the editor he is, of course,
confronted by placards reminding him that "This is My Busy Day--Cut it
Short," and "Find A Man for the Job not A Job for the Man," and others
cunningly calculated to put him on tenterhooks.
To this place, therefore, came Edwards, proffering inquiries about "The
Man Who Left." He read fateful things in the august countenance, and
he was not surprised when Mr. Davis handed him a lemon, but he _was_
surprised when he took the lemon back.
Public-domain text, read in full here on John Shaqi.
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