The fields of France : $b with twenty illustrations in colorRobinson, A. Mary F. (Agnes Mary Frances)
General
The fields of France : $b with twenty illustrations in color
Robinson, A. Mary F. (Agnes Mary Frances)
France -- Social conditions; France -- Social life and customs; Peasants -- France
The charm, the attraction, of Compiègne is elsewhere. The forest here is
beautiful as Fontainebleau. True, here are none of the wild romantic
deserts, the piled crags hoary with juniper, the narrow gorges, and
sudden summer vistas of Fontainebleau. The trees themselves have a
different character. We find few of those great gnarled and hollow
giants whose twisted arms make such uncanny shadows towards sunset in
the Bas-Bréau. Here the oaks shoot up to an inconceivable height erect
and branchless until they meet at last in a roof of verdure just tinged
with April rose and gold. If Fontainebleau reminds us of a comedy of
Shakespeare’s, Compiègne has the noble and ordered beauty, the heroic
sentiment of Racine. What solemn arches and avenues of beeches; what
depths of forest widening into unexpected valleys, rippling in
meadow-grass, where the hamlet clusters round its ruined abbey; what
magical lakes and waters interchained, where the wooded hills shine
bright in doubled beauty! Ah! Fontainebleau, after all, is a blind poet:
the forest is ignorant of lake and river. But Compiègne has the Oise and
the Aisne and the Automne. Compiègne has its lakes and tarns, and pools
innumerable, its seven and twenty limpid brooks, its wells and ripples
in every valley-bottom. The loose soil, rich with this continual
irrigation, teems with flowers. The seal of Solomon waves above the
hosts of lily of the valley. The wood-strawberry and wild anemone enamel
the grass with their pale stars. Here and there on the sandier slopes a
deep carpet of bluebells, or at the water’s edge a brilliant embroidery
of kingcups, give point to the sweet monotony of white and green, which
vibrates from the flowers in the grass to the flowering may-bushes, to
the acacias only half in blossom, and thence more faintly to the lady
birch and beech with gleaming trunks and delicate foliage. White and
green appear again in the wide sheets of water amid the shimmering
woods. So I shall always think of the wood of Compiègne as of some
paradise, too perfect for violent hue and passionate colour--some Eden
haunted only by the souls of virgins, sweet with all fresh pure scents,
white with white flowers, and green with the delicate trembling green of
April leaves.
VI
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