The fields of France : $b with twenty illustrations in colorRobinson, A. Mary F. (Agnes Mary Frances)
General
The fields of France : $b with twenty illustrations in color
Robinson, A. Mary F. (Agnes Mary Frances)
France -- Social conditions; France -- Social life and customs; Peasants -- France
If even the gay, the cordial Roumanille gave out at the last this savour
of antique philosophy, the likeness of Mistral to the elder poets is far
more striking. He is the Provençal Theocritus, and his poems, with their
delightful literalness of touch, their unforced picturesqueness and
natural simplicity, will probably endure when more striking monuments of
our nineteenth-century literature are less read than remembered. We
cannot imagine, at any distance of time, a Provence in which some posy
of Mistral’s verses will not be treasured. He will be to the great
province what Joachim du Bellay has been to Anjou. True, he has written
too much, but posterity is an excellent editor, and reduces the most
voluminous among us to a compendious handful. Mistral is the greatest of
the Félibres, and perhaps the only one whose works will survive the
charming _Davidsbund_ of poets and patriots which so loudly fills the
public ear to-day.
We went more than once to see the great man in his garden at Maillane, a
pleasant place surrounding a cool, quiet villa, where the poet lives
with his young wife. It is the only house of any pretensions in
Maillane, and to the good people of the commune Monsieur Mistral is
both the poet and the squire. He comes out to receive you--a strikingly
handsome man with a beautiful voice; so much like the once-famous
Buffalo Bill in his appearance that one day, when the two celebrities
met by accident in a Parisian café, they stared at each other,
bewildered for one moment, and then, rising, each advanced towards the
other and shook hands! We talked of many things, and among others, of
course, of Félibrige. I ventured to ask him the meaning of the name,
which is a puzzle not to philologists alone. He confessed that it had no
particular meaning; that on that day in May, in 1854, when he and
Roumanille and the other five discussed their projected Provençal
renaissance, one of them reminded the others of a quaint old song, still
sung in out-of-the-way Provençal villages: a canticle in honour of
certain prophets or wise men dimly spoken of as
“Les félibres de la Loi.”
No one knew precisely what the word designed--so much the greater its
charm, its suggestiveness! The name was adopted by acclamation; and
henceforth, at any rate, the meaning of Félibre is clear.
VI
Public-domain text, read in full here on John Shaqi.
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