The fields of France : $b with twenty illustrations in colorRobinson, A. Mary F. (Agnes Mary Frances)
General
The fields of France : $b with twenty illustrations in color
Robinson, A. Mary F. (Agnes Mary Frances)
France -- Social conditions; France -- Social life and customs; Peasants -- France
While Arthur Young was visiting and graphically describing the villages
of France, a man of considerable gifts, but always, in those days as in
these, an obscure individual, without renown or influence, was actually
living in one of these hamlets and constantly observing what went on
before his eyes. Even to-day, even among the students of his period, few
had heard the name of J. J. Gauthier, Curé de la Lande de Gul, when, in
February, 1903, a young historian, M. Pierre La Lande, attracted,
perhaps, by a similarity of name, exhumed his “Essai sur les Moeurs
Champêtres,” and printed a series of extracts from it in the _Revue
Bleue_. Published for the first time in 1787--the very year of Young’s
travels--the essay of the Curé de la Lande never attained the least
celebrity; the whirlwind of the Revolution caught it in its eddy, and
engulfed it along with drift of more importance. The tiny book,
preserved in one sole copy, existing in the Municipal Library of
Alençon, has to-day more value and more interest than it could have
possessed a hundred years ago. It is a series of rustic portraits in the
taste of the time, but obviously drawn from life, and betraying in their
lively unpractised touch the hand of the gifted amateur, who often has
that knack of catching a likeness which escapes your heaven-born
artist’s skill. We see the curé, himself a peasant--avaricious by nature
and breeding, yet charitable by grace--as he tramps the windy downs at
lambing-time to count his tithe, implacable in the assertion of his
rights, were it merely to half a calf’s head or a dozen starveling
pears, yet capable of sharing his food and dividing his last faggot with
the poorest of his flock. He looks not much wealthier himself, as he
strides across the scene, his stalwart limbs clad in an old patched
cassock, with his summer soutane flung across his shoulders, to serve as
a plaid, above a worn-out judge’s gown, picked up second-hand. From his
rusty wig to his vast and heavy high-low shoes, the curé is as
ill-accoutred as any peasant of his flock. And he is scarce possessed of
a more liberal education; he exorcises the thunderbolt with bell and
book, and sprinkles with holy water the unfertile field.
Public-domain text, read in full here on John Shaqi.
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