The fields of France : $b with twenty illustrations in colorRobinson, A. Mary F. (Agnes Mary Frances)
General
The fields of France : $b with twenty illustrations in color
Robinson, A. Mary F. (Agnes Mary Frances)
France -- Social conditions; France -- Social life and customs; Peasants -- France
Senlis is a charming little town, perched on a hill in true mediæval
fashion, and grouped in a cluster round its fine cathedral and the ruins
of the castle of St Louis (a real mediæval castle, this one, at least so
much as is left of it). Halfway up the hill the antique bulwarks, turned
into a raised and shady walk, wear their elms and limes and beeches like
flowers amid a mural crown. From this green garland the streets rise
ever steeper, darker, more irregular; yet not so narrow but that here
and there we spy some white half-modern house, with pots of pinks in the
windows, and a garden full of flowers, which looks the natural home for
some provincial heroine in a novel of Balzac’s. I should like to end my
days, I think, in just such a little town, to sit in my garden and
receive my fair visitors under the green roof of the lime-tree walk. The
notary, the sous-préfet (is there a sous-préfet?), the curé perhaps, and
some of the country neighbours would come once a week to play écarté,
tric-trac, and boston with each other, and chat with us in a polished
little parlour, with squares of carpet in front of all the chairs. Once
a week, on the afternoon consecrated by local fashion,
[Illustration: VIEW FROM LA MONTAGNE DE LA VERBERIE]
we should walk on the ramparts and meet our neighbours, talk of the
crops and pull the Government to pieces (it stands a great deal of
pulling!). We should shake our heads over the Conseil Municipal, but
forgive the individual councillors, who are invariably amiable in
private life. The terrible M. Dupont would give me a cutting of
Malmaison pink for my garden, and _that_ breach would be healed.... Stop
carriage! let us begin at once, that peaceful imaginary comedy of old
age. But, ah, the little white house is already out of sight. We are in
front of the shattered round towers of the thirteenth-century palace,
all fringed with brown wallflowers against an azure sky. We climb higher
still, for see--here is the high, sunny, little square where the tall
cathedral stands.
Public-domain text, read in full here on John Shaqi.
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