The fields of France : $b with twenty illustrations in colorRobinson, A. Mary F. (Agnes Mary Frances)
General
The fields of France : $b with twenty illustrations in color
Robinson, A. Mary F. (Agnes Mary Frances)
France -- Social conditions; France -- Social life and customs; Peasants -- France
We dash down the hill and clatter along the sleepy pebbly village
street, past the inn full of blouses and billiards, till the trees press
thicker and thicker among the lengthening shadows. The forest is full of
the peculiar soft beauty that foreruns the summer dusk. These outskirts
are fragrant with thorn-trees and acacia-trees. O white-flowering
delicate mock-acacias, were I the king of France, I would multiply ye by
all my high roads--for none is more beautiful to the eye and none is
more majestic or more bountiful than you. Throughout that parched spring
of 1893, when the hay stood withered a span high from the ground, your
long green leaves served as fodder for our cattle, most succulent and
sweet. And what shall I say of your blossom--delicious to every
sense--an exquisite rain of white pearls, dropping fragrant perfumes on
the tree, which, plucked and delicately fried in batter, make a
_beignet_ worthy of Lucullus? I love your black and gnarled thorny
trunk, so dark in its veil of lacy green and white; and it always seems
to me that the nightingale sings sweeter than elsewhere from your high
and twisted branches.
Here we are still on the rim of the forest. The white may-trees, still
in flower, grow in rounds and rings together on the broken ground
studded with silver birch. They stand in the dusky summer stillness,
very fair and sweet, their muslin skirt spread white under the gleam of
the rising moon. The lanky sentimental young silver birches bend their
heads above them, and sigh in the breeze. We pass--and as soon as we
have passed, no doubt, they clasp their fragrant partners to their
glittering breasts and whirl away in some mystic, pastoral May-dance to
celebrate the spring.
Public-domain text, read in full here on John Shaqi.
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