"Well, I'll tell you. After I left you I went first to the Madison Avenue address. It wasn't until I gave the lady at the desk of that club the impression that I came bearing news of some serious nature connected with Ruth's family, that she gave me the address where Ruth's mail is forwarded. She told me it was Ruth's place of business. It was an address up near the region of the Park, no name, just the bare street and number. I called 'information,' and finally the house on the 'phone. I was informed Miss Vars would not be in until after dinner. So I waited, and about half-past eight went up there. I found the house--a big, impressive affair, grilled iron fence close to it in front, very fine, very luxurious; all the windows curtained darkly, with a glow of brightness through the cracks here and there. I hesitated to present myself. I walked up and down twice in front of the house, wondering if it would be wiser to call Ruth by telephone and make an appointment. Then suddenly some one inside opened an upper window--it was a warm night. I saw a man draw aside the laces, raise the shade, and throw up the sash. I saw beyond into the room. I saw Ruth. She was sitting beneath a bright light, on a sofa. She was sewing. She seemed quite at home. I saw the man turn away from the window and go back and sit down on the sofa beside her. I saw him stretch out, put one hand in his pocket, lean back luxuriously, and proceed to smoke. It was all very intimate. A policeman passed me as I stood there staring. "'Who lives there?' I asked him--and he told me. 'Oh, that's the Sewall place,' he said, 'Young Breckenridge Sewall, you know.' I looked up at the window again. The man was closing it now. Is he dark, quite dark, stoops a little, with a receding forehead?" asked Robert of me. I nodded. I couldn't speak. "It was he, it was Sewall without a doubt. What is Ruth doing in that house?" demanded Bob. "What is she doing, sitting there alone with that man at nine o'clock at night--sewing? What does it mean? I didn't go in. I walked back to the hotel and sat there, and then I went out and walked again. What does it mean? For heaven's sake, Lucy--tell me what she's doing there?" "O Bob," I said tremblingly, "don't think anything awful about Ruth. Whatever she's doing there, it's all right." "You don't know," he groaned. "I know Ruth, and that's enough. Of course she's all right. Don't let's get absurd. I can't understand it, of course, but after all----" "Oh, please," almost shuddered Bob, "don't let's talk about it. I don't want to think about it. She has been such a beautiful memory, and now--please don't talk about it." "All right," I said and leaned back and gazed out of the window, stunned by his news, frightened more than I dared to show.