"The story is applicable in that as I sit here I realize that in all the
years I have been among you there is only one," she raised her eyes and
indicated Teeters's empty chair, "who ever has done me the smallest
disinterested kindness.
"Until I got beyond the need of it, I cannot remember one unselfish,
friendly act, or, at a time when every man's hand was against me, one
sympathetic word or look. It sounds incredible, but it is the truth. It
seems the irony of Fate indeed that this decision, which means so much
to you, should rest with me."
She stopped and lowered her eyes again to the glass which she twirled
slowly as she deliberated, as if choosing the words which should most
exactly express her thoughts.
She began again:
"You will excuse me if I speak much of myself, but there is no other way
to make clear what I have to say." She paused for a breathless moment,
and went on: "We all have our peculiarities of temperament and mind,
our individual idiosyncracies, to distinguish us, and they are as marked
as physical characteristics, and it happens to be mine that either a
kindness or an injury is something to be paid in full as surely as a
promissory note, if it is possible to do so.
"The debts I owe to you are for acts of wanton cruelty that one would
have to look to Indians to find their counterpart, for deliberate
insults that had not even the excuse of personal animus to justify them,
but were due solely to the cowardice which likes to strike where it is
safe--the eagerness to hurt, which seems to be the first instinct of
small minds and natures. I have no taste to rehearse my grievances, but
it is necessary, that you may quite understand why it is that I feel as
I do towards you."
Somewhat in the tone of a person reciting a lesson she continued:
"I was a young girl when I first came among you--to the dance here, into
this very room. I was ignorant, unsophisticated. I met you with my hand
outstretched, yearning for your friendship; and you would as well have
struck me in my upturned face as do what you did.
"I had no mother, no woman friend to tell me that I was absurd in my
paper flowers and the dress that I had made with my inexperienced
fingers, and you could find no excuse for my ridiculous appearance, but
enjoyed it openly.
"When you laughed in my face you had not yet inflicted pain enough to
satisfy you--you had to turn the knife to see me quiver. And you
did--mercilessly--relishing my humiliation when I had to leave.
"There was not one among you generous enough to make allowance for my
youth and inexperience, and spare me. You saw only that I was absurd in
my fantastic clothes, and overly anxious to be friendly. I was the
daughter of 'Jezebel of the Sand Coulee' and the protegee of a
'sheepherder.'
Public-domain text, read in full here on John Shaqi.
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